A Boyarina Beauty
A Boyarina Beauty by Russian Painter کونسٹنٹن ماکووسکی (1839 – 1915); specializing in Russian Historical paintings showing an idealized view of Russian life in past centuries.
This exquisite portrait of a beautiful young Boyarina, shows a young girl from a noble Russian family dressed in the attire that a young lady would have worn in the19th century.
The young lady is wearing a large gold kokoshnik on her head and a venchik over her hair, with a matching rope choker around her neck that has a gold Christian Cross hanging from its end.
Resting on her shoulders is thick red woolen shoulder plate withe floral embroidery, which itself rest on an indoor white-yellow heavy woolen coat with colorful floral designs.
Beneath her coat is a heavy floor length red dress that has three gold buttons on the front; and on both of her wrist she has very large and wide cuff like decorated silver bracelets.
The young lady is seated on a wooden bench, by a wooden table that is situated by a window that she is looking out of; as she has moved the curtain covering it to the side with her right hand which she has her elbow placed.
On the table is a flower pot with a growing green plant, a decorative wooden box and a piece of decorative cloth and jewelry that is leaning over the table.
On the decorative bench she is seated on is a class vase that has four types of flowers composed of violet flowers, blue flowers, green flowers and yellow flowers.
Behind and above her is a decorative wooden panel ledge that has a small burning candle on it that is in front of what appears to be some sort of metal frame; while in front of her is a spinning wheel that she was using to spin yarn.
A Boyarina Beauty is a remastered digital art old masters reproduction of a public domain image that is available as a canvas print online.
سے اخذ کردہ معلومات Wikipedia.org
Konstantin Makovsky ایک بااثر روسی مصور تھا۔, affiliated with the “Peredvizhniki (آوارہ)”. ان کی کئی تاریخی پینٹنگز, جیسے تاج کے نیچے (1889) also known as The Russian Bride’s Attire and Before the Wedding, پچھلی صدیوں کی روسی زندگی کا ایک مثالی نظریہ دکھایا. وہ اکثر اکیڈمک آرٹ کا نمائندہ سمجھا جاتا ہے۔.
Konstantin Makovsky ماسکو میں پیدا ہوا تھا. اس کے والد روسی آرٹ کی شخصیت اور شوقیہ پینٹر تھے۔, یگور ایوانووچ ماکووسکی. ان کی والدہ ایک کمپوزر تھیں۔, اور اسے امید تھی کہ اس کا بیٹا ایک دن اس کے نقش قدم پر چلے گا۔. اس کے چھوٹے بھائی ولادیمیر اور نکولے اور اس کی بہن الیگزینڈرا بھی پینٹر بن گئے۔.
میں 1851 ماکووسکی ماسکو سکول آف پینٹنگ میں داخل ہوئے۔, مجسمہ سازی اور فن تعمیر جہاں وہ ٹاپ طالب علم بنے۔, تمام دستیاب ایوارڈز آسانی سے حاصل کرنا. ان کے اساتذہ کارل برائیولوف اور واسیلی ٹراپینن تھے۔. Makovsky’s inclinations to Romanticism and decorative effects can be explained by the influence of Bryullov.
Although art was his passion, he also considered what his mother had wanted him to do. He set off to look for composers he could refer to, and first went to France. Before, he had always been a classical music lover, and listened to many pieces. He often wished he could change the tune, or style of some of them to make them more enjoyable. Later in his life it came true.
میں 1858 Makovsky entered the Imperial Academy of Arts in Saint Petersburg. سے 1860 he participated in the Academy’s exhibitions with paintings such as Curing of the Blind (1860) and Agents of the False Dmitry kill the son of Boris Godunov (1862). میں 1863 Makovsky and thirteen other students held a protest against the Academy’s setting of topics from Scandinavian mythology in the competition for the Large Gold Medal of Academia; all left the academy without a formal diploma.
Makovsky became a member of a co-operative (artel) of artists led by Ivan Kramskoi, typically producing Wanderers paintings on everyday life (Widow 1865, Herring-seller 1867, etc.). سے 1870 he was a founding member of the Society for Traveling Art Exhibitions and continued to work on paintings devoted to everyday life. He exhibited his works at both the Academia exhibitions and the Traveling Art Exhibitions of the Wanderers.
A significant change in his style occurred after traveling to Egypt and Serbia in the mid-1870s. اس کی دلچسپیاں سماجی اور نفسیاتی مسائل سے رنگوں اور شکل کے فنی مسائل میں بدل گئیں۔.
1880 کی دہائی میں وہ پورٹریٹ اور تاریخی پینٹنگز کے فیشن ایبل مصنف بن گئے۔. کے عالمی میلے میں۔ 1889 پیرس میں اسے اپنی پینٹنگز ڈیتھ آف ایوان دی ٹیربل کے لیے بڑا گولڈ میڈل ملا۔, پیرس کا فیصلہ, اور شیطان اور تمارا۔. وہ اس وقت کے انتہائی قابل تعریف اور انتہائی معاوضہ لینے والے روسی فنکاروں میں سے ایک تھے۔. بہت سے جمہوری نقاد اسے آوارہ گردوں کا سرکش سمجھتے تھے۔’ نظریات, پیدا کرنے والا (like Henryk Siemiradzki) striking but shallow works, while others see him as a forerunner of Russian Impressionism.
Makovsky was killed in 1915 when his horse-drawn carriage was hit by an electric tram in Saint Petersburg.
