Consuelo Vanderbilt
Consuelo Vanderbilt c1906 by Italian Painter Giovanni Boldini (1842 – 1931); an Italian genre and portrait painter who was known as the Master of Swish, due to the flowing brush strokes of his painting style.
This is an early 20th century portrait of Consuelo Vanderbilt (1876 -1964), Duchess of Marlborough, and Her Son, Lord Ivor Spencer-Churchill (1898 – 1956).
They are in what appears to be a small room, with Consuelo sitting on the edge of a decorative love seat, while her son has his right leg resting on a matching armchair, his left leg positioned on the floor and him leaning on his mothers lap with his head resting against her chest.
She has her black hair bundled up high, and she is wearing a silver sating choker around her neck, a black off shoulder satin evening dress with golden shoulder accents and blue-white floral embroidery on the wide deep v-neck of the dress.
Her son is wearing a brown suit with pants that go just below the knee, black socks and black shoes, along with a white shirt and black tie.
ນີ້ແມ່ນ remastered ສິນລະປະດິຈິຕອນອາຍຸ masters ການແຜ່ພັນຂອງຮູບພາບໂດເມນສາທາລະນະທີ່ມີຢູ່ເປັນ canvas print online.
ຂໍ້ມູນຂ້າງລຸ່ມນີ້ໄດ້ມາຈາກ Wikipedia.org
Boldini was born in Ferrara, ອີຕາລີໃນເດືອນທັນວາ 31, 1842, ກັບລູກຊາຍຂອງ painter ຂອງວິຊາສາດສະຫນາ. ໃນ 1862 ໃນອາຍຸຂອງ 20, ລາວໄດ້ໄປ Florence ສໍາລັບຫົກປີເພື່ອສຶກສາແລະສືບຕໍ່ການແຕ້ມຮູບ.
ລາວພຽງແຕ່ໄດ້ເຂົ້າຮຽນຢູ່ສະຖາບັນວິຈິດສິນ, ແຕ່ໃນ Florence, ໄດ້ພົບກັບນັກແຕ້ມຄົນອື່ນໆທີ່ຮູ້ຈັກກັນໃນນາມ Macchiaioli, ຜູ້ທີ່ເປັນຄາຣະວາຂອງອີຕາລີຕໍ່ Impressionism.
Their influence is seen in Boldini’s landscapes which show his spontaneous response to nature, ເຖິງແມ່ນວ່າມັນເປັນຮູບຄົນຂອງລາວທີ່ລາວກາຍເປັນທີ່ຮູ້ຈັກດີທີ່ສຸດ
Moving to London, Boldini attained success as a portraitist. He completed portraits of premier members of society including Lady Holland and the Duchess of Westminster.
ໃນ 1872 he moved to Paris, where he met and became friends with Edgar Degas. During the late 19th century he became the most fashionable portrait painter in Paris, with a dashing style of painting that highlights some of the Macchiaioli influence and a brio reminiscent of the work of younger artists, such as John Singer Sargent and Paul Helleu.
ໃນ 1889, he was nominated commissioner of the Italian section of the Paris Exposition, and received the Légion d’honneur for this appointment. ໃນ 1897 he had a solo exhibition in New York City; and he also participated in the Venice Biennale in 1895, 1903, 1905, ແລະ 1912.
