Girl with Kokoshnik
Girl with Kokoshnik by Russian Painter کونسٹنٹن ماکووسکی (1839 – 1915); specializing in Russian Historical paintings showing an idealized view of Russian life in past centuries.
This is a portrait of a beautiful Russian young lady that is wearing a Kokoshnik; which is the Traditional Russian Headdress worn by women and girls to accompany the Sarafan; which itself is a long trapezoidal Russian jumper dress of a traditional folk costume.
The Kokoshnik is adorned with red, blue and green gemstones and is built up like a crown, with ruffled cloth on the face end and a head scarf on the rear; that compliments the dress she is wearing.
She is also wearing long gold earrings, multiple layers of gold and gemstone necklaces and a disc like heavy cloth material that goes over her head through a circular center cut out and rest on her shoulders, chest and back.
کوکوشنک کے ساتھ لڑکی کی تصویر کشی بذریعہ Konstantin Makovsky
In the background is a terrain filled with grasses, پھول, and plants on an uphill steep slope that also compliments the look of the Kokoshnik and dress.
This is a retouched digital art old masters reproduction of a public domain image that is available for purchase online as a رولڈ کینوس پرنٹ.
سے اخذ کردہ معلومات Wikipedia.org
Konstantin Makovsky ایک بااثر روسی مصور تھا۔, affiliated with the “Peredvizhniki (آوارہ)”. ان کی کئی تاریخی پینٹنگز, جیسے تاج کے نیچے (1889) also known as The Russian Bride’s Attire and Before the Wedding, پچھلی صدیوں کی روسی زندگی کا ایک مثالی نظریہ دکھایا. وہ اکثر اکیڈمک آرٹ کا نمائندہ سمجھا جاتا ہے۔.
Konstantin Makovsky ماسکو میں پیدا ہوا تھا. اس کے والد روسی آرٹ کی شخصیت اور شوقیہ پینٹر تھے۔, یگور ایوانووچ ماکووسکی. ان کی والدہ ایک کمپوزر تھیں۔, اور اسے امید تھی کہ اس کا بیٹا ایک دن اس کے نقش قدم پر چلے گا۔. اس کے چھوٹے بھائی ولادیمیر اور نکولے اور اس کی بہن الیگزینڈرا بھی پینٹر بن گئے۔.
میں 1851 ماکووسکی ماسکو سکول آف پینٹنگ میں داخل ہوئے۔, مجسمہ سازی اور فن تعمیر جہاں وہ ٹاپ طالب علم بنے۔, تمام دستیاب ایوارڈز آسانی سے حاصل کرنا. ان کے اساتذہ کارل برائیولوف اور واسیلی ٹراپینن تھے۔. Makovsky’s inclinations to Romanticism and decorative effects can be explained by the influence of Bryullov.
Although art was his passion, he also considered what his mother had wanted him to do. He set off to look for composers he could refer to, and first went to France. Before, he had always been a classical music lover, and listened to many pieces. He often wished he could change the tune, or style of some of them to make them more enjoyable. Later in his life it came true.
میں 1858 Makovsky entered the Imperial Academy of Arts in Saint Petersburg. سے 1860 he participated in the Academy’s exhibitions with paintings such as Curing of the Blind (1860) and Agents of the False Dmitry kill the son of Boris Godunov (1862). میں 1863 Makovsky and thirteen other students held a protest against the Academy’s setting of topics from Scandinavian mythology in the competition for the Large Gold Medal of Academia; all left the academy without a formal diploma.
Makovsky became a member of a co-operative (artel) of artists led by Ivan Kramskoi, typically producing Wanderers paintings on everyday life (Widow 1865, Herring-seller 1867, etc.). سے 1870 he was a founding member of the Society for Traveling Art Exhibitions and continued to work on paintings devoted to everyday life. He exhibited his works at both the Academia exhibitions and the Traveling Art Exhibitions of the Wanderers.
A significant change in his style occurred after traveling to Egypt and Serbia in the mid-1870s. اس کی دلچسپیاں سماجی اور نفسیاتی مسائل سے رنگوں اور شکل کے فنی مسائل میں بدل گئیں۔.
1880 کی دہائی میں وہ پورٹریٹ اور تاریخی پینٹنگز کے فیشن ایبل مصنف بن گئے۔. کے عالمی میلے میں۔ 1889 پیرس میں اسے اپنی پینٹنگز ڈیتھ آف ایوان دی ٹیربل کے لیے بڑا گولڈ میڈل ملا۔, پیرس کا فیصلہ, اور شیطان اور تمارا۔. وہ اس وقت کے انتہائی قابل تعریف اور انتہائی معاوضہ لینے والے روسی فنکاروں میں سے ایک تھے۔. بہت سے جمہوری نقاد اسے آوارہ گردوں کا سرکش سمجھتے تھے۔’ نظریات, پیدا کرنے والا (like Henryk Siemiradzki) striking but shallow works,[2] while others see him as a forerunner of Russian Impressionism.
Makovsky was killed in 1915 when his horse-drawn carriage was hit by an electric tram in Saint Petersburg.
