Ivan Susanin
Ivan Susanin c1914 by Russian Painter کونسٹنٹن ماکووسکی (1839 – 1915); specializing in Russian Historical paintings showing an idealized view of Russian life in past centuries.
This is a painting depicting Ivan Susanin, consider to be a Russian National Hero and Martyr of the early 17th Century during the “Times of Trouble”; a time of political crisis during the Tsardom of Russia, which began in 1598 with the death of Fyodor I or Fyodor Ivanovich, who was the last of the Rurik Dynasty and ended in 1613 with the accession of Michael I of the House of Romanov.
Legend has it that Ivan was hired as a guide by Polish troops that were seeking to kill Tsar Mikhail; but Ivan persuaded the troops to follow him through a secret path in the Russian forest; and he nor the troops were ever heard of again.
In the painting Ivan is about to be stabbed to death by a Polish soldier, while another holds him and the other soldiers freezing from the winter snows look on while seated by a campfire; with one Polish soldier already lying dead on the ground due to exposure.
In the background in the upper right we can see the Russian ruler with his troops in a city with the Russian people bowing before him.
یہ عوامی ڈومین شبیہہ کی بازیافت ڈیجیٹل آرٹ کے پرانے ماسٹر پنروتپادن ہے.
سے اخذ کردہ معلومات Wikipedia.org
Konstantin Makovsky ایک بااثر روسی مصور تھا۔, affiliated with the “Peredvizhniki (آوارہ)”. ان کی کئی تاریخی پینٹنگز, جیسے تاج کے نیچے (1889) also known as The Russian Bride’s Attire and Before the Wedding, پچھلی صدیوں کی روسی زندگی کا ایک مثالی نظریہ دکھایا. وہ اکثر اکیڈمک آرٹ کا نمائندہ سمجھا جاتا ہے۔.
Konstantin Makovsky ماسکو میں پیدا ہوا تھا. اس کے والد روسی آرٹ کی شخصیت اور شوقیہ پینٹر تھے۔, یگور ایوانووچ ماکووسکی. ان کی والدہ ایک کمپوزر تھیں۔, اور اسے امید تھی کہ اس کا بیٹا ایک دن اس کے نقش قدم پر چلے گا۔. اس کے چھوٹے بھائی ولادیمیر اور نکولے اور اس کی بہن الیگزینڈرا بھی پینٹر بن گئے۔.
میں 1851 ماکووسکی ماسکو سکول آف پینٹنگ میں داخل ہوئے۔, مجسمہ سازی اور فن تعمیر جہاں وہ ٹاپ طالب علم بنے۔, تمام دستیاب ایوارڈز آسانی سے حاصل کرنا. ان کے اساتذہ کارل برائیولوف اور واسیلی ٹراپینن تھے۔. Makovsky’s inclinations to Romanticism and decorative effects can be explained by the influence of Bryullov.
Although art was his passion, he also considered what his mother had wanted him to do. He set off to look for composers he could refer to, and first went to France. Before, he had always been a classical music lover, and listened to many pieces. He often wished he could change the tune, or style of some of them to make them more enjoyable. Later in his life it came true.
میں 1858 Makovsky entered the Imperial Academy of Arts in Saint Petersburg. سے 1860 he participated in the Academy’s exhibitions with paintings such as Curing of the Blind (1860) and Agents of the False Dmitry kill the son of Boris Godunov (1862). میں 1863 Makovsky and thirteen other students held a protest against the Academy’s setting of topics from Scandinavian mythology in the competition for the Large Gold Medal of Academia; all left the academy without a formal diploma.
Makovsky became a member of a co-operative (artel) of artists led by Ivan Kramskoi, typically producing Wanderers paintings on everyday life (Widow 1865, Herring-seller 1867, etc.). سے 1870 he was a founding member of the Society for Traveling Art Exhibitions and continued to work on paintings devoted to everyday life. He exhibited his works at both the Academia exhibitions and the Traveling Art Exhibitions of the Wanderers.
A significant change in his style occurred after traveling to Egypt and Serbia in the mid-1870s. اس کی دلچسپیاں سماجی اور نفسیاتی مسائل سے رنگوں اور شکل کے فنی مسائل میں بدل گئیں۔.
1880 کی دہائی میں وہ پورٹریٹ اور تاریخی پینٹنگز کے فیشن ایبل مصنف بن گئے۔. کے عالمی میلے میں۔ 1889 پیرس میں اسے اپنی پینٹنگز ڈیتھ آف ایوان دی ٹیربل کے لیے بڑا گولڈ میڈل ملا۔, پیرس کا فیصلہ, اور شیطان اور تمارا۔. وہ اس وقت کے انتہائی قابل تعریف اور انتہائی معاوضہ لینے والے روسی فنکاروں میں سے ایک تھے۔. بہت سے جمہوری نقاد اسے آوارہ گردوں کا سرکش سمجھتے تھے۔’ نظریات, پیدا کرنے والا (like Henryk Siemiradzki) striking but shallow works,[2] while others see him as a forerunner of Russian Impressionism.
Makovsky was killed in 1915 when his horse-drawn carriage was hit by an electric tram in Saint Petersburg.
