The Red Hotline
The Red Hotline by American Painter පීටර් ඩ්රිබන් (1903 – 1968); painter, illustrator and one of the most prolific pin-up artist of the 1940s and 1950s.
The Red Hotline is sexy pinup girl illustration of a beautiful young blonde that is sitting on on a red carpeted ground resting her bottom on her legs that are folded beneath her.
She is holding the handset of a red phone up to her right ear with the line chord hanging from the top of the image as she looks at the viewer and winks; as though she has someone important on the the phone that she is speaking with.
The beautiful blonde has a light blue hair ribbon that tied around the back portion of her hair into a bow at the top, whose color matches the light blue bikini she is wearing which is tied off with black string.
She is also wearing aqua blue floral shaped earrings and black high heel shoes; and I finished off the image by replacing the solid black background with with two different subway tile designs that make her stand out nicely.
මෙය ප්රතිනිර්මාණය කරන ලද ඩිජිටල් කලා පැරණි මාස්ටර්ගේ පොදු වසම් රූපයක ප්රතිනිෂ්පාදනයකි. metal print online.
තොරතුරු පහතින් Wikipedia.org
Peter Driben was born in Boston, and he studied at Vesper George Art School before moving to Paris in 1925. While taking classes at the Sorbonne in 1925, he began a series of highly popular pen-and-ink drawings of the city’s showgirls.
In March of 1934 Driben created his first known pin-up which was the cover to La Paree Stories; සහ විසින් 1935, he was producing covers for Snappy, Pep, New York Nights, French Night Life and Caprice.
As Driben’s popularity continued to rise in the late thirties he created more covers for other periodicals including Silk Stocking Stories, Movie Merry-Go-Round and Real Screen Fun.
Driben’s career expanded into advertising when he moved to New York in late 1936. Here he created original three-dimensional die-cut window displays for Philco Radios, Cannon Bath Towels, and the Weber Baking Company.
Perhaps his most famous work being the original posters and publicity artwork for The Maltese Falcon. Peter Driben was also a close friend of publisher Robert Harrison, සහ තුළ 1941 he was contracted to produce covers for Harrison’s new magazine Beauty Parade.
From there Peter went on to paint hundreds of covers for that publication and for the other seven titles Harrison was to launch – Flirt, Whisper, Titter, Wink, Eyeful, Giggles, and Joker.
Driben would often have as many as six or seven of his covers being published every month. Driben’s work for Harrison established him as one of America’s most recognized and successful pin-up and glamour artists. Just before he began to work for Harrison, Driben married the artist, actress and poet, Louise Kirby.
තුළ 1944 he was offered the unusual opportunity, for a pin-up artist; that was to become the art director of the New York Sun, a post he retained until 1946. During the war, his popular painting of American soldiers raising the flag at Iwo Jima sparked a considerable amount of media attention.
තුළ 1956, Driben and Louise moved to Miami Beach, where he spent his retirement years painting portraits (including one of Dwight D. Eisenhower) and other fine-art works, which were organized into successful exhibitions by his wife. Driben died in 1968, Louise in 1984.
