The Three Aces by Vittorio Matteo Corcos
The Three Aces by Vittorio Matteo Corcos

The Three Aces by Italian Painter Vittorio Matteo Corcos (1859 – 1933); known for his genre artwork depicting finely dressed men and women in times of leisure and play.

The Three Aces depicts two young ladies in evening dresses, one sitting in an armchair and the other young lady standing behind her friend as they are both looking at the three aces which include from left to right an Ace of Clubs, An Ace Of Hearts and An Ace Of Spades which are spread across a a floral embroidered table cloth covering a small table.

In the background is a light silver or grey wallpaper with birds flying among thin trees that have thin leaves.

The Three Aces is a retouched digital art old masters reproduction of a public domain image.

Info Below Derived From Wikipedia.org

Vittorio was born to Jewish parents, Isacco e Giuditta Baquis, in Livorno, and at the age of 16, he obtained is artistic training at the Academy of Fine Arts of Florence under the tutelage of Italian Painter Enrico Pollastrini (1817 – 1876).

Then between 1878 and 1879 he worked under Italian Painter Domenico Morelli (1826 – 1901) in Naples; known for producing historical and religious paintings; and who was considered to be a great influence in the arts of the second half of the 19th Century.

Vittorio then traveled to Paris where he met French Painter Léon Bonnat (1833 – 1922), and signed a contract with the Goupil & Cie a leading dealership in 19th century France, from which he was able to supplement his income as a portrait painter with illustrations for magazines.

He frequented the circles of Italian Painter Giuseppe De Nittis (considered to be one of the most important Italian Painters of the 19th century); and from 1881 until 1886, he frequently exhibited at the Salon.

In 1886 Vittorio returned to Italy, putatively to join the army, and then settled in Florence. At which time he converted to Catholicism and married a widow named Emma Ciabatti.

In Florence, he made friends in the intellectual circles of the time, and made portraits of Italian Realist painter Silvestro Lega (1826 – 1895), Italian Poet Giosue Carducci (1835 – 1907), and Italian Composer Pietro Mascagni (1863 – 1945).

After 1900, he wrote for the Florentine Journal Il Marzocco.; as well as published a short story in the magazine Fanfulla della Domenica titled Mademoiselle Leprince.

In 1904, he traveled to Potsdam to paint Emperor William II (1859 – 1941) and other members of the German monarchy.

During World War I in 1916, Vittorio’s son died in battle. Later in the 1920s he joined the Gruppo Labronico along with Italian Painters Plinio Nomellini (1866 – 1943) and Ulvi Liegi (1858 – 1939).

He also painted portraits of Mussolini (Benito Amilcare Andrea Mussolini 1883 – 1945) in 1928; Countess Annina Morosini (1924 – 1965); Countess Nerina Volpi di Misurata; Carducci, Puccini and Mascagni; Queen Amélie of Portugal and Princess of Orleans.

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