Water Nymph
Water Nymph by Austrian Painter Joseph Bernard (汉斯·扎茨卡 1866 – 1931); also known as P. 龍薩德, 皮埃尔·德·龙萨德, 或H. Zabateri and he signed many of his works as Joseph Bernard, 並簽署咗佢嘅好多作品作為约瑟夫伯纳德. 伯纳德, or Bernard Zatzka to avoid the penalties of braking contracts that limited how many works he could sell.
A charming and beautiful classical art fantasy portrait of a semi nude sea nymph that is partially clothed in a sheer yellow and green gown with a seaweed belt wrapped around her waist floating above the crashing waves on the shoreline.
As she gently floats above the ground as the waves rush up around her, a seagull fly’s by her left thigh as she gazes to the right at the ground with her right hand extended above her head and her left hand is fold up touching her neck.
Below her on the wet ground are different kinds of colorful seashells of red, 橙, black and white, along with rocks, twigs and other ocean material.
In the background we can see another seagull flying toward cliffs that make up a rock terrain and golden clouds set up against a blue sky.
係一個重新製作嘅數字藝術舊大師複製嘅公共領域圖像，可作為在線畫布印刷品獲得.
來自以下信息 Wikipedia.org
汉斯·扎茨卡有時被稱為P. 龍薩德, 皮埃尔·德·龙萨德, 或H. 扎巴特里, 並簽署咗佢嘅好多作品作為约瑟夫伯纳德, 並簽署咗佢嘅好多作品作為约瑟夫伯纳德. 伯纳德, 或伯纳德·扎茨卡.
The purpose of Zatzka’s vast array of pseudonyms was to avoid penalties of breaking contracts which limited the amount of artwork he could sell.
This has caused some art databases to conflate Zatzka’s work under the pseudonym Joseph Bernard with the French sculptor with the same name.
汉斯·扎茨卡出生於 8 三月 1859 （維也納）. 他的父親Bartholomüs是一名建築工人。, 他的母親係Marie Karpischek Zatzka.
之間 1877 和 1882, 佢曾就讀於美術學院, 在克里斯蒂安·格里彭克尔, 卡尔·武尔辛格, 同卡尔·冯·布拉斯.
扎茨卡能夠透過為教堂同其他機構製作壁畫嚟搵食.
係 1885, Zatzka受委託喺Kurhaus Baden創作天花板壁畫The Naiad of Baden.
Many of Zatzka’s works were religious paintings and altar pieces dedicated to various churches in Austria.
然而, 佢更出名嘅係佢嘅女性畫作, 仙女, 同其他奇幻場景.
Often, he would draw inspiration from the works of Richard Wagner and the fairy tales of the Brothers Grimm.
In the late 19th and early 20th century, several pieces by Zatzka were photographed and made into commercial and collectable postcards.
During the 1920s, Zatzka’s style became the decor of choice throughout Europe. 另外, the previous thirty years held a resurgence for Zatzka.
