Bòidhchead òg
A Young Beauty c1865 by Italian Painter Eugene von Blas (1843 – 1931); ris an canar cuideachd Eugene de Blaas bhon Àm Clasaigeach Acadaimigeach. Ged a bhiodh e tric a ’peantadh seallaidhean Venetian; pheant e cuideachd mòran dhealbhan agus obair ealain cràbhach.
This is a splendid portrait of an attractive young Italian beauty with rich dark hair that is curly along the front and sides of her head and tied into a bun on the top back of her head.
She is looking to her right, into the far distance with a beautiful tranquil smile on her face as though she is in deep thought.
She is wearing a simple white ruffled like dress with a deep wide collar, a gold colored cloth necklace with embedded silver studs, and gold earrings.
She is posed against a slate blue wall with a little more than a side profile view, such that we can clearly see both of her eyes.
Is e seo ath-riochdachadh seann mhaighstirean ealain didseatach ath-leasaichte de ìomhaigh raon poblach a tha ri fhaighinn mar a clò-bhualadh canabhas rollaichte air-loidhne.
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Rugadh Eugen von Blaas ann an Albano, faisg air an Ròimh, gu athair Tyrolean agus màthair Eadailteach. Bha athair Karl, cuideachd peantair, bha an tidsear aige. A mhàthair, Agnesina Auda, bha i na boireannach Ròmanach math. Ghluais an teaghlach gu Venice nuair a thàinig Karl gu bhith na Àrd-ollamh aig Acadamaidh Venice. Bhiodh e tric a’ peantadh seallaidhean ann am Venice, ach cuideachd dealbhan-camara agus dealbhan cràbhach.
Am measg a shaothair tha An cruth banais anns an t-sacramaid; Bingo ann an Campielo ann am Venice; Sealladh pupaidean ann an sgoil; agus La Ninetta. An neach-breithneachaidh ealain Luigi Chirtani, nuair a chaidh an dealbh a thaisbeanadh aig Mostra Nazionale di Venezia, air a mhìneachadh mar Beautiful, rèidh, breagha, fo chùram, air a ghlanadh, snasta, nigheadaireachd ann an dealbh le Mgr. Bladder, an neach-dealbhaidh as fheàrr le uaislean mòra Venetian, air a sgeadachadh ann an gala satins, jewelry a 'deàrrsadh, gruagaichean nan beairteach.
Na h-ìomhaighean dathach agus caran theatar aige de chomann-sòisealta Venetian, m.e. Air an Balcony (1877; Cruinneachadh prìobhaideach), bha iad gu math eadar-dhealaichte an taca ri pastailean fìnealta agus eiseagan nan liosan, balcony agus canàlan Venice an latha an-diugh.
Eugene de Blas’ dealbhan air an taisbeanadh aig an Acadamaidh Rìoghail, Comann Ealain Fhìnealta, Gailearaidh Ùr agus Gailearaidh Arthur Tooth and Sons ann an Lunnainn, agus cuideachd aig Gailearaidh Ealain Walker ann an Liverpool