Allégorie de la Musique
Allégorie de la Musique (Allegory of Music) c1764 by French Painter Francois Boucher (1703 – 1770); ris an canar cuideachd neach-dealbhaidh dreachan, gràbhaladh agus sgeadachadh ann an stoidhle Rococo na Frainge, bha sin ainmeil airson a bheul-aithris eireachdail, motifs allegorical agus erotic agus b ’e am peantair cùirt Louis XV agus fear de na Marquise de Pompadour a b’ fheàrr leis.
This free flowing Rococo style painting by Boucher interprets the meaning of music by showing an attractive young female figure wrapped in layers of garment revealing her bare left shoulder and breast, as her left forearm rest on red cloth that is laid over clouds that are supporting her in the heavens.
She is holding in her extended right hand a gold lyre that is being played by winged putti that is leaning against her right leg, with another putti fly above them holding a laurel wreath in its right hand and a flute in its extended left hand.
By the floating putti and positioned by the upper arm of the young lady is a white dove, which makes up a set of three, with the other two situated at the base of some open sheet music and pink roses, that are position just below her left forearm.
Below her is a horn slightly covered with more laurel leaves; and behind the putti that is playing the layer is a blue helmet with a gold grown and blue top feather beside a cloth wrapped sword with a gold handle.
Allégorie de la Musique is a remastered digital art old masters reproduction of a public domain image that is available as a clò-bhualadh canabhas air-loidhne.
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Rugadh e ann am Paris, B ’e Boucher mac peantair nach robh cho ainmeil Nicolas Boucher, a thug dha a ’chiad trèanadh ealanta aige. Aig aois seachd bliadhna deug, chaidh am peantadh le Boucher fhaicinn leis a ’pheantair François Lemoyne. An dèidh sin chuir Lemoyne Boucher an dreuchd mar phreantas, ach às deidh dìreach trì mìosan, chaidh e a dh ’obair airson an gràbhalaiche Jean-François Cars.
Ann an 1720, bhuannaich e am mionlach Grand Prix de Rome airson peantadh, ach cha do ghabh iad an cothrom mar thoradh air sin sgrùdadh a dhèanamh san Eadailt gu còig bliadhna às deidh sin, air sgàth duilgheadasan ionmhais aig Acadamaidh Rìoghail Peantadh agus Snaidheadh.[1] Nuair a thill e bho bhith ag ionnsachadh san Eadailt chaidh a leigeil a-steach don obair-shnaighte Académie de peinture et de air 24 An t-Samhain 1731. Am pìos fàilteachaidh aige (pìos fàilteachaidh) bha a Rinaldo agus Armida de 1734.
Phòs Boucher Marie-Jeanne Buzeau a-steach 1733. Bha triùir chloinne aig a ’chàraid còmhla. Thàinig Boucher gu bhith na bhall dàimhe ann an 1734 agus luathaich a chùrsa-beatha bhon àm seo oir chaidh àrdachadh gu bhith na Àrd-ollamh aig an àm sin na Cheannard air an Acadamaidh, gu bhith na neach-sgrùdaidh aig an Royal Gobelins Manufactory agus mu dheireadh Premier Peintre du Roi (Ciad Peantair an Rìgh) a-steach 1765. Dealbh de Marie-Louise O’Murphy c. 1752
Bhàsaich Boucher air 30 A 'Chèitean 1770 ann am Paris bho thùs. Ainm, còmhla ri neach-taic Madame de Pompadour, air fàs co-cheangailte ri stoidhle Rococo na Frainge, a ’toirt air na bràithrean Goncourt sgrìobhadh: “Is e Boucher aon de na fir sin a tha a ’riochdachadh blas ceud bliadhna, a tha a ’cur an cèill, pearsanachadh agus cuir a-steach e.”
Tha Boucher ainmeil airson a bhith ag ràdh gu bheil nàdar “ro uaine agus air a lasadh gu dona” (ro uaine agus air a lasadh gu dona).
Bha Boucher co-cheangailte ris an gràbhalaiche gemstone Jacques Guay, a theagaisg e a tharraing. Thug e cuideachd taic don pheantair Moravian-Ostair Martin Ferdinand Quadal a bharrachd air a ’pheantair neoclassical Jacques-Louis David ann an 1767.[4] Nas fhaide air adhart, Rinn Boucher sreath de dhealbhan de dh ’obair le Guay a rinn Madame de Pompadour an uairsin a ghràbhaladh agus a sgaoileadh mar leabhar le ceangal eireachdail ri luchd-cùirte a b’ fheàrr leotha