Bësch Vue (Bësch Vue)
Bësch Vue (Bësch Vue) c1848 vum hollännesche Moler Barend Cornelis Koekkoek (1803 – 1862); e renomméierte Landschaftskënschtler a Papp vum Johannes Hermanus Barend Koekkoek (1840 – 1912); e Moler vum Romanteschen a Realismus Stiler, deen e renomméierte Marinemoler war.
Dëst ass eng wonnerbar Bëschgenre Szen während Sonnenënnergang, wéi d'Leit iwwer hire Geschäft goen, hir Frënn an Noperen op engem gemeinsame Wee begéinen.
Um Wee lénks ass e fléissende Baach, deen op béide Säite vu Fielsen a Knëppelsteng a grousse Beem op béide Säite vum Embank grenzt..
Laanscht de Wee gesi mir eng Dame, déi vläicht eng Mamm mat enger Fläsch ass, beweist datt si Waasser gesammelt hätt, schwätzt mat engem Mann op engem wäisse Päerd, dee kéint en Hiert sinn, well et Kéi ronderëm him sëtze mat enger ausgesinn wéi wann et op him waart.
Et gi véier aner Kéi an der Géigend, een leeën, en aneren kuckt iwwer de Baach, eng aner ësst Gras an déi véiert kuckt op déi aner Kéi.
Am Niwwel vun de Kéi sinn zwee Schof, a vis-à-vis vun hinne si véier Kanner zwee Meedercher, déi bei engem Bam um Buedem sëtzen, e Jong, dee beim Bam steet an e Puppelchen, dee beim Jéngere vun deenen zwee Meedercher steet.
Hannert de Kanner gesi mer e Mann no engem Iesel an zwee aner Ieselen nieft him, déi als Päckdéiere benotzt ginn.
An enger Kloerheet nieft dem Bam sinn d'Kanner no, wee gesinn eng aner Kéi um Buedem raschten zesumme mat siwe Schof, déi um Buedem nieft der Kéi raschten.
Behind these animals we see more sheep the are grazing on the grass in the clearing and beside another tree; and the forest scene is made complete with a beautiful blue sky with billowing orange, yellow and tan colored clouds, with birds flying high above.
Dëst ass eng retouched digital Konscht al Master Reproduktioun vun engem Public Domain Bild dat als Kaaf verfügbar ass Canvas Print online.
Info drënner ofgeleet vun Wikipedia.org
Barend was the eldest son of Dutch Painter and Draughtsman Johannes Hermanus Koekkoek (1778 – 1851) and Anna van Koolwijk, was born in the province of Zeeland on October 11, 1803; he also had two brothers that were also successful painters, Marine Painter Hermanus Koekkoek (1815–1882) and Landscape Painter Marinus Adrianus Koekkoek (1807–1868); as well as another brother Johannes Koekkoek.
Barend obtained his first artistic instruction from is father, continuing his studies at the Drawing Academy of Middelburg, where he studied under Dutch Painter Abraham Krayestein (1793 – 1855) where he enrolled in 1817.
Barend decided on a career as a landscape artist, at which he excelled, being called during his life time the “Prince of Landscape Paintings” and was considered the greatest landscapist of his time; being regarded as the founding father of Dutch Romantic Landscape Painting.
His main landscape focus, was on creating woodland areas and forest, mainl with winter and summer themes; but painted them in all seasons of the year and fitted them with tiny figures of people and animals going about their daily lives; but a great emphasis on the majesty of nature and the greatness of creation.
Barend was one of the few artist to receive an endless list of artistic awards and decorations and was able to count as his clients King Friedrich-Wilhelm IV of Prussia (1795 – 1861), Tsar Alexander II (1818 – 1881), and King Willem II of the Netherlands (1792 – 1849).