Portrait of Contessa Ortensia Ianna Stella
Portrait of Contessa Ortensia Ianna Stella by Flemish Painter Jacob Ferdinand Voet (1639 – 1689); air a mheas mar aon de na peantairean dhealbhan as fasanta aig deireadh na h-ùine Baróc.
This is a beautiful portrait of the Contessa in a seated pose, wearing a wreath of white and blue flowers on the back of her hair and wearing a gold colored off shoulder deep neck gown with pinned sleeves and a bouquet of red, white and pink flowers pinned to the center of her gown.
Is e seo ath-riochdachadh seann mhaighstirean ealain dhidseatach de ìomhaigh raon poblach a tha ri fhaighinn mar a canvas art print online.
Cleachd an ceangal seo gus am faidhle a cheannach Maoin Ornachaidh used in the frame of this piece; tha am pasgan a’ toirt a-steach 400 eileamaidean sgeadachaidh air an dealbhadh gu breagha.
Gu h-ìosal le cead fiosrachaidh Wikipedia.org
Beagan fiosrachaidh mu bheatha thràth Voet, trèanadh agus dreuchd air an gleidheadh. Rugadh Voet ann an Antwerp mar mhac don pheantair Elias Voet. Bha e air aon de na còignear chloinne deug; ghluais a bhràthair as sine Carlo gu Amsterdam agus phòs e ann an 1661 nighean don bheairteach Joan Coymans agus Sophia Trip. Dh’ fhàg Iacob a dhùthaich Antwerp agus shiubhail e don Ròimh far an robh e a’ fuireach 1663 gu 1680.
Thàinig Voet gu bhith na bhall de na Bentvueghels, comann de luchd-ealain Duitseach agus Flemish sa mhòr-chuid a tha gnìomhach san Ròimh. Tharraing Voet dealbh ann an gual-fhiodha de bhuill uile na Bentvueghels air balla geal-nighe taigh-òsta anns an Ròimh a bha na àite coinneachaidh mòr-chòrdte don bhuidheann seo. Bha an dealbh luachmhor gu leòr airson a shàbhaladh nuair a bhiodh na ballachan air am peantadh.
Anns an Ròimh bha iarrtas mòr air sgilean Voet mar pheantair dhealbhan aig cùirt a’ Phàpa agus le uaislean nan Ròmanach., nam measg na teaghlaichean ainmeil Colonna agus Odescalchi. Fhuair e taic bho Cairistìona, Banrigh na Suaine, a bha an uair sin a’ fuireach anns an Ròimh. Pheant e an dealbh aice cho math ri dealbh a caraid, Cardinal Azzolino. Englishmen and other Europeans visiting Rome on their Grand Tour also commissioned portraits from Voet.
Ann an 1671 – 1672 Voet received a commission from Cardinal Chigi to paint portraits of young woman who were prominent in Roman society. He created a first series of 37 portraits of the most enchanting women of Rome (‘Galleria delle Belle’) eadar 1672 agus 1678 for Cardinal Chigi’s dining room in his palace in Ariccia (in the Alban hills outside Rome). He later copied and even enlarged the series for other Roman and Italian noble families. This started a rage for portraits of young women in Rome and abroad.