Sealladh den Castel Sant'Angelo anns an Ròimh
Sealladh den Engelenburcht anns an Ròimh c1750~1800 leis a’ pheantair Frangach Pierre-Antoine Demachy (1723 – 1807); a bha gu sònraichte a’ cruthachadh seallaidhean de thobhta ailtireil agus fantasy a’ cleachdadh dòigh-obrach ris an canar Trompe-l’œil; innleachd ealain a bhios a’ cleachdadh ìomhaighean fìrinneach gus an mealladh optigeach a chruthachadh gu bheil an nì dealbhaichte ann an trì tomhasan.
'S e seo àlainn peantadh cruth-tìre de shealladh an Castel Sant’Angelo anns an Ròimh; a tha na thogalach siolandair àrd ann am Parco Adriano, Ròimh, An Eadailt air bruach a tuath na h-aibhne Tiber; a chaidh a bharantachadh an toiseach leis an Impire Ròmanach Hadrian (76 – 138 AD) mar mhausoleum dha fhèin agus dha theaghlach.
Is e seo ath-riochdachadh seann mhaighstirean ealain didseatach ath-riochdachadh de ìomhaigh raon poblach.
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Rugadh Pierre do shaor ann an 1723, ann am Paris san Fhraing agus le aois 31 air a bhith na oileanach aig Scenographer Eadailteach, Sgeadaiche agus ailtire Giovanni Niccolò Servandoni ( rugadh: Sìne-Nicolas Servan 1695 – 1766), a bha cuideachd na dhealbhaiche cleasan-teine agus na eòlaiche trompe-l’œil.
Ann an 1755 dhearbh Acadamaidh Rìoghail Peantadh is Deilbhidh Pierre mar Pheantair Ailtireachd; agus a-steach 1757 chùm e a’ chiad thaisbeanadh aige aig an Salon (Tha Salon Paris. 1677), agus lean e air a shaothair a thaisbeanadh an sin gus 1802; goirid an dèidh sin thòisich e air teagasg anns an Académie.
Ann an 1764 na dealbhan Trompe-l’œil aige airson aghaidh Eaglais ùr Sainte-Geneviève (a-nis am Pantheon), choisinn e dreuchd dha mar neach-sgeadachaidh seataichean àrd-ùrlair airson na Menus-Plaisirs du Roi ( bha, ann an eagrachadh teaghlach rìoghail na Frainge fon Ancien Régime).
Ann an 1768 thug Tosgaire na Ruis ann am Paris coimisean dha airson grunn chlàran a chruthachadh bho Catherine the Great; an uairsin a-steach 1769 upon the death of French Painter Jean-François Amand (1730 – 1769), Pierre was assigned to oversee his workshop in the Palais du Louvre.
His classes were so popular with art students, that in 1777 the Comte d’Angiviller, Charles-Claude Flahaut de la Billarderie (1730 – 1803), wrote a letter to Académie’s Director, Jean-Baptiste Marie Pierre (1714 – 1789), complaining that Demachy’s students were “polluting the corridors” of the Louvre.
Ann an 1785 Pierre applied for and received the position of Professor of Perspective, that had been recently vacated due to the death of French Painter Jacques Sébastien Leclerc (1734 – 1785); and would hold that office with some interruptions until his death in 1807.