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Portrait of Helene Kreszenz Sedlmayr by Joseph Karl Stieler
Portread o Helene Kreszenz Sedlmayr gan Joseph Karl Stieler

Portread o Helene Kreszenz Sedlmayr

Portread o Helene Kreszenz Sedlmayr (1813 – 1898) c1831 by German Painter Joseph Karl Stieler (1781 – 1858); was a Neoclassical Portrait painter who worked as a royal court painter to the Bavarian Kings and who is known for the Gallery of Beauties at Nymphenburg Palace in Munich as well as his portrait of Ludwig van Beethoven, which he did 1820.

Helene, the daughter of a shoemaker was consider to be the epitome of Munich Germany’s 19th century beauties.

Ludwig I King of Bavaria first took note of her when she was 15 mlwydd oed, as she supplied toys to his children; and he commissioned a portrait of her from Joseph Karl Stieler for his Gallery of Beauties.

The Gallery of Beauties is a collection of 36 portraits of the most beautiful women of the nobility and middle classes of Munich Germany, painted mostly by Joseph Karl Stieler between 1827 trwodd 1850; who was appointed court painter in 1820.

Mae hwn yn atgynhyrchiad hen feistri celf ddigidol wedi'i atgynhyrchu o ddelwedd parth cyhoeddus.

Gwybodaeth Isod O Wikipedia.org

Joseph was born in the city of Mainz, Germany to a long-established family of engravers, punchcutters and die makers; receiving some artistic training from his father, August Friedrich Stieler (1736 – 1789).

After the untimely death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by the bourgeois circles.

After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg.

Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, a ddaeth yn noddwr a noddwr pwysicaf iddo.

O 1802 i 1805 mynychodd Academi Celfyddydau Cain Fienna yn nosbarth meistr Heinrich Füger. Ffurfiwyd arddull portreadau Stieler yn fwyaf arbennig yn ystod ei waith yn yr atelier Parisianaidd o François Gérard, myfyriwr i Jacques-Louis David.

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