Helene Kreszenz Sedlmayr-en erretratua
Helene Kreszenz Sedlmayr-en erretratua (1813 – 1898) c1831 by German Painter Joseph Karl Stieler (1781 – 1858); was a Neoclassical Portrait painter who worked as a royal court painter to the Bavarian Kings and who is known for the Gallery of Beauties at Nymphenburg Palace in Munich as well as his portrait of Ludwig van Beethoven, which he did 1820.
Helene, the daughter of a shoemaker was consider to be the epitome of Munich Germany’s 19th century beauties.
Ludwig I King of Bavaria first took note of her when she was 15 urteak, as she supplied toys to his children; and he commissioned a portrait of her from Joseph Karl Stieler for his Gallery of Beauties.
The Gallery of Beauties is a collection of 36 portraits of the most beautiful women of the nobility and middle classes of Munich Germany, painted mostly by Joseph Karl Stieler between 1827 bidez 1850; who was appointed court painter in 1820.
Hau arte digitala ukituta dagoen domeinu publikoko irudi baten erreprodukzioa da.
Beheko informazioa Wikipedia.org
Joseph Mainz hirian jaio zen, Alemania aspaldiko grabatzaile familia bati, puntzonatzaileak eta trokelak; aitarengandik prestakuntza artistiko bat jasotzen, August Friedrich Stieler (1736 – 1789).
Aitaren garaiz kanpoko heriotzaren ondoren, Joseph Karl-ek modu autodidaktikoan amaitu zuen bere ikaskuntza eta miniatura-margolari gisa hasi zuen bere ibilbidea, zirkulu burgesek gero eta gehiago bilatzen zituztenak.
Mainz Frantziako tropa iraultzaileek okupatu ondoren 1792, Stieler Friedrich Karl Joseph von Erthal printze artzapezpikuaren auzitegi kanporatua Aschaffenburgera jarraitu zuen..
Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor.
Bertatik 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler’s portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David.