Helene Kreszenz Sedlmayrin muotokuva
Helene Kreszenz Sedlmayrin muotokuva (1813 – 1898) c1831, kirjoittanut saksalainen taidemaalari Joseph Karl Stieler (1781 – 1858); oli uusklassinen muotokuvamaalari, joka työskenteli kuninkaallisena hovimaalarina Baijerin kuninkaille ja joka tunnetaan Münchenin Nymphenburgin palatsin Kauneusgalleriasta sekä hänen muotokuvastaan Ludwig van Beethovenista, jonka hän teki 1820.
Helene, the daughter of a shoemaker was consider to be the epitome of Munich Germany’s 19th century beauties.
Ludwig I King of Bavaria first took note of her when she was 15 vuoden ikäisiä, as she supplied toys to his children; and he commissioned a portrait of her from Joseph Karl Stieler for his Gallery of Beauties.
The Gallery of Beauties is a collection of 36 portraits of the most beautiful women of the nobility and middle classes of Munich Germany, painted mostly by Joseph Karl Stieler between 1827 kautta 1850; who was appointed court painter in 1820.
Tämä on retusoitu digitaalisen taiteen vanhojen mestareiden kopio julkisesta kuvasta.
Tiedot alla Wikipedia.org
Joseph was born in the city of Mainz, Germany to a long-established family of engravers, punchcutters and die makers; receiving some artistic training from his father, August Friedrich Stieler (1736 – 1789).
After the untimely death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by the bourgeois circles.
After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg.
Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor.
Alkaen 1802 että 1805 hän opiskeli Wienin taideakatemiassa Heinrich Fügerin mestarikurssilla. Stielerin muotokuva -tyyli muotoiltiin erityisesti työskennellessään Pariisin ateljeessa François Gérardissa., Jacques-Louis Davidin oppilas.