La Première Discorde
La Première Discorde (The First Discord) c1861 by French Painter William-Adolphe Bouguereau (1825 – 1905); de na Tréimhsí NeoClasaiceacha agus Acadúla, a chruthaigh léirmhínithe nua-aimseartha ar ábhair chlasaiceacha bunaithe ar théamaí miotaseolaíochta.
La Première Discorde is a beautiful and stunning portrait of Eve from the Biblical Tale with her two sons Cain and Able as children of about 3 agus 4 bliain d'aois.
They are situated in a clearing near what may be a beach, as there is sand on the ground with a few pebbles; with Eve sitting on a large rocky overhang.
She has a large white and tan robe placed over her thighs and up to the lower portion of her waist, with Able sitting towards his mother on her right thigh with his head between both of his arms that are position on her right shoulder as if he is crying, as she supports his upper back with her right hand.
Cain on the other hand is standing by his mothers left thigh with his right arm placed across is chest and under his left upper arm, with his forearm and hand folded behind his neck as his mother places her left hand around his tummy.
Cain is looking over his right shoulder into the distance with an annoyed look on his face as his mother looks down at him with a look of concerned sorrow.
Completing the scene in the background is a large clump of green plants, the obscure most of the blue sky and mountain range that can be seen at the left and right corners of the painting; and on the sandy ground are other green plants with some red ones, as well as grass on the rocky outcrop and red flowers.
La Première Discorde is a remastered digital art old masters reproduction of a public domain image that is available as a cló chanbhás ar líne.
Faisnéis Thíos Díorthaithe ó Wikipedia.org
Rugadh William-Adolphe Bouguereau i La Rochelle, An Fhrainc, ar 30 Samhain 1825, isteach i dteaghlach ceannaithe fíona agus ola olóige. Mac na dtuismitheoirí Caitliceacha Théodore Bouguereau b1800 agus Marie Bonnin b1804, ar a dtugtar Adeline.
Bhí deartháir níos sine aige, Alfred, agus deirfiúr níos óige, Marie (ar a dtugtar Hanna), a fuair bás in aois a seacht. Bhog an teaghlach go Saint-Martin-de-Ré i 1832. Rugadh siblín eile i 1834, Kitty.
Ag aois 12, Chuaigh Bouguereau go Mortagne chun fanacht lena uncail Eugène, sagart agus d’fhorbair sé grá don dúlra, reiligiún agus litríocht. I 1839, cuireadh chun staidéir don tsagartacht é i gcoláiste Caitliceach i Pons.
Ag an gColáiste Caitliceach ba é Louis Sage a mhúin líníocht agus péinteáil dó, a bhí tar éis staidéar a dhéanamh faoi Ingres. D’fhág Bouguereau go drogallach a chuid staidéir chun filleadh ar a theaghlach, ina gcónaí anois i Bordeaux. Agus é i Bordeaux i mí na Samhna 1841 bhuail sé le healaíontóir áitiúil, Charles Marionneau, agus lean sé lena chuid staidéir ealaíne sa Scoil Bardasach Líníochta agus Péinteála.
D'oibrigh Bouguereau mar chúntóir siopa freisin, lithographs a dhathú le lámh agus pictiúir bheaga a dhéanamh a atáirgeadh ag úsáid crómatagrafaíochta. Ba ghearr go raibh sé ar an dalta ab fhearr ina rang, agus shocraigh sé a bheith ina ealaíontóir i bPáras. Chun an t-aistriú a mhaoiniú, dhíol sé 33 portráidí portráid ola gan síniú i gceann trí mhí; agus leis an airgead a thuilltear, tháinig sé go Páras ag aois 20 i mí an Mhárta 1846.
Tar éis dó Páras a bhaint amach tháinig Bouguereau ina mhac léinn ag an École des Beaux-Arts; agus chun cur lena oiliúint fhoirmiúil sa líníocht, d’fhreastail sé ar dhíscaoilte anatamaíocha agus rinne sé staidéar ar fheistis stairiúla agus ar sheandálaíocht. I 1848 chruthaigh sé Equality Before Death (Comhionannas Roimh Bhás), a chéad phéinteáil Bmajor.
Níos déanaí fuair sé post i stiúideo François-Édouard Picot, áit a ndearna sé staidéar ar phéintéireacht sa stíl acadúil; ag táirgeadh Dante agus Virgil in Ifreann c 1850, atá ina shampla luath dá shaothar ealaíne nuachlasaiceach.
Le linn a shaol taitneamh as Bouguereau méid suntasach de tóir sa Fhrainc agus sna Stáit Aontaithe, agus bronnadh iliomad onóracha oifigiúla air, while enoying being paid top price for his artwork. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde.
Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown.