レディ・エリザベス・クリスティアナ・ハーヴェイ
レディ・エリザベス・クリスティアナ・ハーヴェイ, レディ・エリザベス・フォスター, 後のデヴォンシャー公爵夫人 (1759 – 1824) c1786 スウェーデンの画家アンジェリカ・カウフマン作 (1741 – 1807); 画家としても, a founding member of the Royal Academy and known for popularizing the crayon method of engraving.
This is a beautiful and tranquil 肖像画 of Lady Elizabeth Christiana Hervey sitting in a forest on some rocks wearing a white dress with large ruffles along the collar and at the edges of the sleeves, a large sun hat that has two large feathers and a black bow tied around it with another set of feathers sticking out the back, a pair of gold chain earrings, gold string chocker necklace, as well as a picture necklace that hangs to her mid section that compliments a gold and black sash.
バックグラウンドで, directly behind her are two large trees, with bushes that dominate the landscape which over looks a coastal area that is populated with a small mountain range and village by the water.
これは、パブリックドメインの画像のレタッチされたデジタルアートオールドマスターの複製です.
以下の情報から派生 Wikipedia.org
Bartolozzi was born in Florence, and as was the custom of the time, it was thought that he would follow in his father’s footsteps and become a gold and silver smith.
This though would change since the young Bartolozzi showed a great deal of skill and taste in designing; as a result he was thus placed under the supervision of two Florentine artists, including Italian Painter Ignazio Hugford (1703 – 1778) and Italian Rococo Style Painter Giovanni Domenico Ferretti (1692 – 1768) who instructed him in painting.
After three years of art training, he went to Venice to study engraving; and spent six years working for German Engraver and Draughtsman Joseph Wagner (1706 – 1780), 彫刻家および印刷販売業者, 彼自身のワークショップを設立する前に.
The first engraving Bartolozzi produced in Venice were plates in the style of Italian Baroque Period Painter Marco Ricci (1676 – 1730) and Giacomo Francesco Zuccarelli (1702 – 1788) a Late Baroque or Rococo Period Landscape Painter.
その後、 1762 Bartolozzi moved to Rome for a short period of time, where he completed a set of engravings representing frescoes at Grottaferrata by Italian Baroque Painter Domenichino (Domenico Zampieri 1581 – 1641) depicting the life of St Nilus.
That set of engravings and his etchings of old master’s works, began to draw public attention throughout Europe; とで 1763 彼はリチャード・ダルトンに会いました (1715 – 1791), 製図者, engraver and the English Royal Librarian who was traveling in Italy looking for acquisitions for King George III art collection.
ダルトンは彼に王の彫刻家としての任命を申し出た; which Bartolozzi accepted and left for London in 1764; where he lived for 42 年.
During his time in London he produced a large number of engravings, which included Clytie after Italian Painter Annibale Carracci (1560 – 1609), と聖母子の, after Italian Baroque Painter Carlo Dolci (1616/7 – 1686).
A large proportion of them are from the works of Italian Painter Giovanni Battista Cipriani (1727 – 1785) and British Painter Angelica Kauffman (1741 – 1807). バルトロッツィはまた、ボイデルのシェイクスピアギャラリーに多くのプレートを寄贈しました.