Manon Ballets
Manon Balletti c1757 leis a’ pheantair Frangach Jean-Marc Nattier (1685-1766); ainmeil airson a bhith a’ peantadh dhealbhan ann an èideadh miotasach clasaigeach de na boireannaich a bha nam pàirt de chùirt Rìgh Louis XV.
'S e seo àlainn dealbh de Manon Balletti (1740 – 1776) nighean a 'bhana-chleasaiche Eadailteach Zanetta Rosa Benozzi Balletti (1701 – 1758) aithnichte fon ainm àrd-ùrlar aice mar Silvia Balletti (na bhall den Troupe de Regente à Luigi Riccoboni (1676 – 1753) aig an Comédie-Italienne ann am Paris 1716 – 1758), agus leannan an tè ainmeil Giacomo Casanova.
Is e seo ath-riochdachadh ealain didseatach ath-leasaichte de ìomhaigh raon poblach.
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B’ e JeanJean-Marc Nattier an dàrna mac aig a’ pheantair dhealbhan Marc Nattier (1642 – 1705) agus am peantair beag Marie Courtois (1655 – 1703).
B’ ann bho athair a fhuair e a’ chiad stiùireadh ealain aige agus bho uncail athar Jean Jouvenet (1644 – 1717), peantair eachdraidheil.
Ann an 1703 aig aois 18 Chlàraich e aig Acadamaidh Rìoghail Peantadh is Deilbhidh na Frainge (Acadamaidh Rìoghail Peantadh is Deilbhidh) a chaidh a stèidheachadh ann am Paris ann an 1648.
Rè a chuid ionnsachaidh chuir e seachad mòran den ùine aige a’ dèanamh lethbhreac de dhealbhan ann an Lùchairt Lucsamburg (built from 1615 – 1645 to a design from French Architect Salomon de Brosse (1571 – 1626)); and to making a series of drawing of the Marie de Médici painting cycle of 24 paintings created by Peter Paul Rubens between 1622 agus 1624.
An uairsin a-steach 1710 a publication of engravings based on the drawing he had done on the paintings made him famous; from there he made his way to Amsterdam the Netherlands, where Russian Monarch Peter the Great (1682 – 1725) was staying, and painted portraits of the tsar and the Empress Catherine (1684 – 1727).
Though Jean aspired to be a historical painter, creating compositions like the “Battle of Pultawa” and others from 1715 gu 1720; the financial collapse of 1720 changed all that as it left him in financial ruin, forcing hime to devote his artistic talents to painting portraits; as this was a more lucrative venue.
Over time he revived the allegorical portrait, which incorporated living persons as mythological Greco-Roman Goddess or other mythological figures.