Òran na maidne
Òran madainn le peantair Ameireaganach Zoe Mozert [Alice Adelaide Moser] (1907 – 1993); Dealbhadair, Neach-ealain Pinup agus Modail Pun-up.
This is a sexy pin up girl portrait of a beautiful young brunette in her birthday suit with a parakeet that is sitting on the index finger of her right hand up to her ruby red lips as she listens to its morning singing.
The young lady is covered around her left leg by a white sheet that contrast nicely with the golden tan large pillow that she is sitting on; while the background with its swash of white, gorm, aqua, buidhe, green and pink toned brush strokes highlight her beautifully.
Is e seo ath-riochdachadh seann mhaighstirean ealain didseatach ath-riochdachadh de ìomhaigh raon poblach.
Fiosrachadh gu h-ìosal a thàinig bho Wikipedia.org
Ann an 1925 Thòisich Zoë a cuid ionnsachaidh aig Sgoil Ealain Gnìomhachais Taigh-tasgaidh Pennsylvania, far an do rinn i sgrùdadh fo Thornton Oakley, a bha na oileanach aig Howard Pyle; gus pàigheadh airson a cuid foghlaim ealain bhiodh i na mhodail gus airgead a thogail airson a cuid oideachaidh.
Rè a cùrsa-beatha ealain, Mozert painted hundreds of magazine covers and movie posters; tric ga cleachdadh fhèin mar mhodail nan dealbhan aice, cleachdadh camarathan no sgàthan gus an suidheachadh a ghlacadh.
Ann an 1941, foillsichearan Brown & Cheannaich Bigelow a’ chiad obair-ealain nude aig Mozert agus chuir e ainm rithe gu cùmhnant mìosachain sònraichte; agus aig àm an Dàrna Cogaidh, an t-sreath pin-up aice airson a’ chompanaidh, ris an canar Victory Girls, fhoillseachadh an dà chuid ann am mìosachan agus cruth cairt mutoscope.
Ann an 1946, Chruthaich Mozert am postair sanasachd airson Republic Pictures’ Girl Calendar, Film mu dheidhinn nighean Gibson; agus nas fhaide air adhart san aon bhliadhna, pheant i na pinups airson a’ chomadaidh Errol Flynn Never Say Goodbye, anns an do chluich Flynn neach-ealain pinup (Chruthaich i cuideachd na dealbhan a chithear ann an creideasan fosglaidh an fhilm.) .
Ro 1950, Thàinig Mozert gu bhith mar aon de na “ceithir mòr” luchd-dealbhaidh gu nàiseanta, còmhla ri Rolf Armstrong, Iarla Moran agus Gil Elvgren; leis na dealbhan aice ainmeil airson an stoidhle pastel agus an dealbh fìrinneach de bhoireannaich.
Am measg cuid de na h-obraichean as ainmeil aig Zoë tha am postair airson Paramount Pictures True Confession le Carole Lombard, am postair airson film Howard Hughes The Outlaw le Jane Russell, agus b’ e Song of the Desert an dealbh as mòr-chòrdte a bh’ aice c1950.