Portrait d Isabella d Este
Portrait d Isabella d Este (Portrait of Isabel of Este – 1534 – 1536) by Italian Painter Tiziano Vecellio (Tíotán 1488 – 1576); was part of the High Renaissance and Mannerism art movements; and was considered to be the most versatile of Italian painters demonstrating great skill at painting portraits, chúlraí tírdhreacha, ábhair miotaseolaíochta agus reiligiúnacha.
Seo portráid d’Isabella d’Este by Titian is one of two portraits he did of her; the other portrait was commissioned in 1529 Isabella in Red (or Aged Isabella); and is known through a copy that was done by Peter Paul Rubens.
The Portrait d’Isabella d’Estedepicted; is not of the much older and mature Isabella. The original portrait displeased her so much, that she commissioned a second idealized portrait (this one) of her from Titian, showing what she may have looked like 40 years earlier (she was about 62 years of age at the time of the second painting).
She also commissioned portraits by other great artist of the time such as Leonardo da Vinci and Andrea Mantegna.
Portrait d’Isabella d’Este is a retouched digital art old masters reproduction of a public domain image.
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Ba mhac le Gregorio Vecellio agus a bhean chéile Lucia é Tiziano. Ba chomhairleoir oirirce a athair, saighdiúir, agus ceannfort an chaisleáin Pieve di Cadore; rinne sé bainistíocht ar mhianaigh áitiúla an réigiúin dá n-úinéirí.
Rugadh é i Pieve di Cadore, near Belluno, which was at the time, the Republic of Venice; and during his lifetime was called da Cadore, which is taken from his native region; Cadore.
The exact date of his birth is unknown, but he claimed in a letter to Philip II, King of Spain when he was an old man to have been born in 1474; even though many scholars debate this, based on writings of contemporaries his own age; putting his birth as early as 1473 to as late as 1490.
Many of Tiziano’s family members including his grandfather, were notaries and the family was well established in Cadore, which was ruled by Venice; and at about the age of 10 nó 12 Tiziano and his brother were sent to one of his uncles in Venice to find an apprenticeship with a painter.
This was accomplished with the help of Sebastian Zuccato a minor painter in Venice, a raibh clú agus cáil ar a gcuid mac mar mhósáiceoirí (Ealaíontóir Mósáic). Bhí Zuccato in ann suíomh a shocrú do na deartháireacha dul isteach i stiúideo na ndaoine scothaosta Gentile Bellini, agus ina dhiaidh sin d’aistrigh siad anonn go stiúideo a dhearthár Giovanni Bellini; cé ag an am, a bhí mar phríomh-ealaíontóir na cathrach.
Péintéir Iodálach ó thréimhse na hAthbheochana ab ea Tiziano Vecelli ar a dtugtar Titian de ghnáth, agus meastar gurb é an ball is tábhachtaí de scoil Veinéiseach an 16ú haois é; agus ina dhiaidh sin rinneadh péintéir meas ar a dheartháir sa Veinéis.
Aithníonn a lucht comhaimsire Tiziano mar “An ghrian i measc na réaltaí lúide”; ráiteas a mheabhraíonn líne deiridh Paradiso Dante; mar go raibh sé ar dhuine de na péintéirí Iodálacha is ilúsáide nach raibh aon teorainneacha péintéireachta aige.
Bhí sé chomh cumasach céanna portráidí a phéinteáil, tírdhreacha, ábhair reiligiúnacha agus mhiotaseolaíocha le galántas agus grásta gan stró; agus a mhodhanna péintéireachta go háirithe maidir le húsáid datha, Bhí tionchar mór aige ar na péintéirí ón Renaissance Iodálach déanach agus ar ealaíontóir ealaíne an Iarthair amach anseo.
Meastar gurb iad Tiziano Vecelli in éineacht le Giorgione bhunaitheoirí Scoil Veinéiseach phéinteáil na hAthbheochana na hIodáile; agus bunaíodh a ghairm bheatha ón tús mar bhí an-iarracht ag go leor pátrúin ón Veinéis air, ansin ag Prionsaí na hIodáile Thuaidh agus ar deireadh ag na Habsburgs agus na Pápa.
De réir mar a tháinig Tiziano in aibíocht mar ealaíontóir, tháinig athrú freisin ar an saothar ealaíne a chruthaigh sé; agus cé go raibh sé i bhfad níos difriúil ná an saothar ealaíne a chruthaigh sé ina óige; níor bhain an úsáid a bhain sé as dath ina phíosaí.
Ní léiríonn cuid mhór dá phíosaí níos déanaí an beoga, tinteanna lonrúla a bhí mar phointe láidir ina shaothar tosaigh; ach d'fhan an scuab-obair scaoilte agus caolchúis na ton agus meastar go bhfuil siad gan fasach i stair phéintéireacht an Iarthair.