Dealbh de Bhana-phrionnsa Charlotte às a’ Bheilg
Dealbh de Bhana-phrionnsa Charlotte às a’ Bheilg (1840 – 1927) c1845 leis a’ pheantair Gearmailteach Franz Xaver Winterhalter (1805 – 1873); bràthair as sine den pheantair Gearmailteach Hermann Fidel Winterhalter (1808 – 1891), tha e ainmeil airson na dealbhan aige de rìoghalachd meadhan an naoidheamh linn deug.
This is a Portrait of Bana-phrionnsa Charlotte às a ’Bheilg as a young girl 5 years of age (I have another retouched artwork of her when she was 2 years of age on the site as well – use the link above); she is wearing a black hooded cloak of a white dress with with large horizontal stripes running around it.
Her long beautiful brown hair is partially revealed from under the cloak as she is illuminated by the light that is coming from her right side at a high angle with a large red velvet drape to the left behind her, as an accent piece.
This Portrait of Princess Charlotte of Belgium is a retouched digital art old masters reproduction of a public domain image, agus mar a tha a h-uile obair-ealain a gheibhear air làrach-lìn Xzendor7 ri fhaighinn airson a cheannach air-loidhne ann an caochladh chruthan stuth a’ gabhail a-steach clò-bhualaidhean canabhas, dealbhan acrylic, clò-bhualaidhean meatailt, clò-bhualaidhean fiodha, lèileagan frèam, postairean, agus mar clò-bhualaidhean canabhas rollaichte ann an caochladh mheudan bho 12 òirlich gu 72 inches depending on the size of the actual artwork and the print on demand shop you choose to buy the art from..
Fiosrachadh gu h-ìosal a thàinig bho Wikipedia.org
Franz Xaver Winterhalter was born in the small village of Menzenschwand, (now part of Sankt Blasien), in Germany’s Black Forest in the Electorate of Baden, air 20 A 'Ghiblean 1805. He was the sixth child of Fidel Winterhalter (1773–1863), a farmer and resin producer in the village, and his wife Eva Meyer (1765–1838), a member of a long established Menzenschwand family.
His father was of peasant stock and was a powerful influence in his life. Of the eight brothers and sisters, only four survived infancy. Fad a bheatha dh ’fhan Franz Xaver gu math faisg air a theaghlach, gu sònraichte dha bhràthair Hermann (1808–1891), a bha cuideachd na pheantair.
Às deidh dha a dhol dhan sgoil aig manachainn Bhenedictine ann an St.. Blasien, Dh ’fhàg Winterhalter Menzenschwand a-steach 1818 aig aois 13 sgrùdadh a dhèanamh air tarraing agus gràbhaladh.[4] Rinn e trèanadh mar neach-dealbhaidh agus lithographer ann am bùth-obrach Karl Ludwig Schüler (1785–1852) ann am Freiburg im Breisgau. Ann an 1823, aig aois 18, chaidh e gu Munich, le taic bhon neach-gnìomhachais Baron von Eichtal (1775–1850).
Ann an 1825, chaidh stìpean a thoirt dha le Ludwig I., Grand Duke of Baden (1763–1830) agus thòisich e air cùrsa sgrùdaidh aig Acadamaidh nan Ealan ann am Munich còmhla ri Peter von Cornelius (1783–1867), bha na dòighean acadaimigeach aige ga fhàgail mì-chofhurtail. Lorg Winterhalter comhairliche nas congenial anns an dealbhadair fasanta Eòsaph Karl Stieler (1781–1858). Rè na h-ùine seo, thug e taic dha fhèin ag obair mar lithographer.
Chaidh Winterhalter a-steach do chearcaill cùirte nuair a bha e a-staigh 1828 thàinig e gu bhith na mhaighstir dealbhaidh gu Sophie Margravine à Baden, aig Karlsruhe.[6] Thàinig an cothrom aige e fhèin a stèidheachadh taobh a-muigh ceann a deas na Gearmailt 1832 nuair a bha e comasach dha siubhal dhan Eadailt, 1833–1834, le taic bho Grand Duke Leopold à Baden.
Anns an Ròimh rinn e seallaidhean gnè romansach ann an dòigh Louis Léopold Robert agus cheangail e e fhèin ri cearcall stiùiriche Acadamaidh na Frainge, Horace Vernet. Nuair a thill e gu Karlsruhe, pheant e dealbhan de Grand Duke Leopold à Baden agus a bhean, agus chaidh ainmeachadh mar pheantair don chùirt grand-ducal.
A dh'aindeoin sin, dh ’fhàg e Baden gus gluasad dhan Fhraing, far an do tharraing an sealladh gnè Eadailteach Il dolce Farniente fios aig Salon of 1836. Il Decameron a year later was also praised; both paintings are academic compositions in the style of Raphael. In the Salon of 1838 he exhibited a portrait of the Prince of Wagram with his young daughter.
His career as a portrait painter was soon secured when in the same year he painted Louise Marie of Orleans, Queen of the Belgians, and her son. It was probably through this painting that Winterhalter came to the notice of Maria Amalia of the Two Sicilies, Queen of the French, mother of the Queen of the Belgians.