A ’Bhana-phrionnsa Maria Ilyinichna Golitsyna
Dealbh den Bhana-phrionnsa Maria Ilyinichna Golitsyna c1875 le Peantair Spàinnteach Federico de Madraso y Kunz (1815 – 1894), bha e na neach-ealain dhealbhan Neoclassic.
Tha seo tarraingeach agus eireachdail dealbh den Bhana-phrionnsa Maria Ilyinichna Golitsyna (1834 – 1910); a Russian Noblewoman, Courtier and Philanthropist; who served as Ober-Hofmeisterin (Mistress of the Robes) to empress Alexandra Feodorovna (Alix of Hesse 1872 – 1918) bho 1894 gus 1910.
Princess Maria is dressed in a black leather garment with a black mesh scarf flowing from the back of her black hair over red flowers and on to the leather garment, that is accented with a gold necklace.
She is standing in garden that has trees and flowers her her figure is set against a green-blue sky with billowing white clouds.
Is e seo ath-riochdachadh seann mhaighstirean ealain didseatach ath-riochdachadh de ìomhaigh raon poblach.
Fiosrachadh gu h-ìosal a thàinig bho Wikipedia.org
Federico was born in Rome to José de Madrazo y Agudo (1781 – 1859), a painter and former Director of the Prado Museum.
Federico came from a line of artists; his grandfather on his mother side was Tadeusz Kuntze (1733 – 1793), a Polish painter.
His brothers were Luis de Madrazo (1825 – 1897), peantair, Pedro de Madrazo (1816 – 1898), neach-breithneachaidh ealain agus Juan de Madrazo (1829 – 1880), ailtire.
Among his children were Ricardo de Madrazo, cuideachd peantair, Raimundo de Madrazo y Garreta and Cecilia de Madrazo who married the great Orientalist artist, Maria Fortuny.
The Madrazo family have been described as one of the most important painting dynasties, who literally dominated 19th-century painting in Spain.
Thòisich Federico air leasan ealanta a ghabhail bho athair, agus fhad ‘s a bha e fhathast a’ frithealadh Acadamaidh Rìoghail San Fernando, pheant e a' chiad dealbh aige The Resurrection of Christ c1829; a cheannaich a' Bhan-righ Cairistiona.
Goirid às deidh an dealbh sin chruthaich e Achilles na bhùth, agus an deigh sin thaisbean e do'n Acadamaidh The Continence of Scipio, a thug air cead a steach mar bhall e “airson airidheachd”.
Three years later Federico left for Paris where he studied on the Franz Winterhalter and painted portraits of Baron Taylor and Ingres (a French Neoclassical Painter).
Ann an 1837 he received a commission to create a painting for the gallery at Versailles, for which he painted “Godfrey de Bouillon proclaimed King of Jerusalem”; soon afterwards he returned to Rome and took on projects creating portraits for the Spanish Aristocracy.