Shes An Eyeful
Shes An Eyeful by American Painter Peter Driben (1903 – 1968);; maler, illustratør og en af de mest produktive pin-up kunstnere i 1940'erne og 1950'erne.
This is beautiful sexy pinup girl portrait illustration of an alluring young redhead with flowing long hair sitting on the edge of an art deco chair, with her right foot resting on the top of a double stack circular ottoman.
She is dressed in a red dancers costumes that comprises a red bra with hang red glass oval beads, red hot pants with white cotton beaded trimming along the edges and a red ribbon bow on the left.
She also has a matching shoulder vest with a matching leg band that she is adjusting on her right thigh, along with red open toe high heel shoes.
Since the illustration was laid over black background, I decided to replace the black background with one of my abstract geometric digital art swirling creation that has a page curl added to it, and in which you can see part of Xzendor7 in gold lettering.
Dette er en remastered digital art old masters reproduktion af et offentligt domæne billede, der er tilgængeligt som en lærred print online.
Info nedenfor fra Wikipedia.org
Peter Driben blev født i Boston, og han studerede på Vesper George Art School, inden han flyttede til Paris i 1925. Mens han tog klasser på Sorbonne i 1925, han begyndte en række meget populære pen-og-blæktegninger af byens showgirls.
I marts af 1934 Driben created his first known pin-up which was the cover to La Paree Stories; og af 1935, he was producing covers for Snappy, Pep, New York Nights, French Night Life and Caprice.
As Driben’s popularity continued to rise in the late thirties he created more covers for other periodicals including Silk Stocking Stories, Movie Merry-Go-Round and Real Screen Fun.
Driben’s career expanded into advertising when he moved to New York in late 1936. Here he created original three-dimensional die-cut window displays for Philco Radios, Cannon Bath Towels, and the Weber Baking Company.
Perhaps his most famous work being the original posters and publicity artwork for The Maltese Falcon. Peter Driben was also a close friend of publisher Robert Harrison, og i 1941 he was contracted to produce covers for Harrison’s new magazine Beauty Parade.
From there Peter went on to paint hundreds of covers for that publication and for the other seven titles Harrison was to launch – Flirt, Whisper, Titter, Wink, Eyeful, Giggles, and Joker.
Driben would often have as many as six or seven of his covers being published every month. Driben’s work for Harrison established him as one of America’s most recognized and successful pin-up and glamour artists. Just before he began to work for Harrison, Driben married the artist, actress and poet, Louise Kirby.
I 1944 he was offered the unusual opportunity, for a pin-up artist; that was to become the art director of the New York Sun, a post he retained until 1946. During the war, hans populære maleri af amerikanske soldater, der hejede flaget ved Iwo Jima, udløste en betydelig mængde medieopmærksomhed.
I 1956, Driben og Louise flyttede til Miami Beach, hvor han tilbragte sine pensionistår med at male portrætter (herunder en af Dwight D. Eisenhower) og andre kunstværker, som blev organiseret i vellykkede udstillinger af hans kone. Driben døde i 1968, Louise ind 1984.