아틀리에의 정물
핀란드 화가의 아틀리에 c1868의 정물 페르디난드 폰 라이트 (1822 – 1906); 19세기 풍경화와 동물화가
이것은 화려하게 조각된 그림이 있는 풍부한 짙은 갈색의 껍질이 벗겨진 나무 책상에만 초점을 맞춘 예술가 스튜디오의 아름답고 풍부한 색상의 정물화입니다..
책상 위에는 구리 베이스가 있는 아름다운 테이블 오일 램프가 있습니다., 빅토리아 스타일로 제작된 황동 상판과 도자기 돔; 장면의 중심을 이루는 부분; 금속의 장식적인 특징에 대한 훌륭한 세부 묘사, 포함된 리본 심지가 있는 유리 저장소의 오일.
오른쪽에는 검은색 맥주병이 있고 병 옆에는 갓 부은 맥주가 담긴 짧은 잔이 있고 그 옆에는 Nargile 담배 파이프와 옆에 담배 봉지가 있을 수 있습니다.
To the left of the scene is a painters wooden palette that includes a metal cup on the lower portion, and that has dabs of white, 노란색, 빨간색, 녹색, blue and black paint around the outer perimeter with paint brushes sticking out of the hole that the artist places his thumb.
This is resting on an open artist storage supply box, that has more brushes underneath the palette as well as tubes of paint and other items; and on the inside lid of the box is a photograph of a similar oil lamp used as a reference for the scene.
Still Life In The Atelier is a remastered digital art old masters reproduction of a public domain image that is available as a Boucher는 Guay의 작품으로 일련의 그림을 그리고 Madame de Pompadour가 조각하여 호의를 받는 궁정에게 잘 묶인 책으로 배포했습니다..
아래에서 파생된 정보 Wikipedia.org
Ferdinand was the last of nine surviving children to the retired Finnish Major Henrik Magnus von Wright; his two older brothers Magnus von Wright (1805 – 1868) and Wilhelm von Wright (1810 – 1887) were painters and illustrators and he followed in their footsteps, showing an early aptitude for art, which was developed during the time he spent hunting and exploring nature, recording what he had observed in his sketchbooks.
에 1837 he left Finland and traveled to Sweden with his second eldest brother Wilhelm; whom at the time was working as an illustrator for the Swedish Zoologist Bengt Fredrik Fries (1799 – 1839); 그런 다음 1838 he went back to Sweden to work for the Swedish amatuer Ornithologist Count Nils Bonde (1685 – 1760).
After going back to Finland on completion of his work; he then returned to Sweden in 1842 and briefly attended the Royal Swedish Academy of Arts studying under the Swedish sculptor Johan Niclas Byström (1783 – 1848); then two years later returned home to Finland.
그런 다음 1849 he traveled to Turku, Finland where he took additional painting lessons from Swedish Romantic Painter Robert Wilhelm Ekman (1808 – 1873); following his studies, he and his brothers went to Helsinki, the capital of Finland and set up a studio; and six years later he traveled to Dresden, Germany to study under the noted German animal painter Johann Siegwald Dahl (1827 – 1902).
During the 1870s he suffered several strokes that kept him bedridden; but he continued to paint, 그리고 1881 made his last trip to Orust to visit his brother Wilhelm who was also sick.
From this point on his work became more commercial, 그리고 1886 he produced his best known painting “The Fighting Capercailles” and was contributing articles to various ornithological publication.
About this time he received a state artists pension; and during the 1890s many of his former students came to visit, while in the late 90s bird painter Matti Karppanen (1873 – 1953) stayed on to be his pupil and assistant.