
The Big White Book
The Big White Book by Skulpturer Mann (1907 – 1986); a successful female pinup girl illustrator of the early 20th century.
This is a beautiful classic 50s pinup girl illustration of a beautiful redhead wearing embroidered brown lingerie, a garter belt, brown sheer stockings and a white sheer negligee, with gold tone slippers with pink floral tops.

She is sitting on a makeup bench with gold tone tassels, holding a large blank white book. The artwork seems to be from about 1955; as she Pearl Frush married her third husband, cellist Robert Goodell Mann in 1955.
To the plain white book I added the Peruvian Artist Alberto Vargas (1896 – 1982) pinup girl illustration Memories of Olive c1920 as a generational piece.
Dette er en remastered digital art old masters reproduktion af et offentligt domæne billede, der er tilgængeligt som en lærred print online.
Nedenstående oplysninger er afledt af Wikipedia.org
Pearl Alice Frush blev født i Sioux City, Woodbury, Iowa videre 1907; da hun var ung, flyttede hendes familie til Mississippi Gold Coast og begyndte sine kunstneriske studier i New Orleans, Philadelphia og New York City og derefter på School of the Art Institute of Chicago, som er tilknyttet Art Institute of Chicago.
I slutningen af 1930'erne og begyndelsen af 1940'erne udførte Pearl freelance reklamearbejde i Chicago, herunder Vogue-Wright Studios, Sundblom, Johnson & Hvid, og Gerlach Barklow Co.
These companies published much of her successful pinup girl calendar art, including Liberty Belles, Girls of Glamour, and Glamour Round the Clock.
Pearl was one of three top female pinup glamour artist which included Joyce Ballantyne (1918 – 2006), and Zoë Mozert (1907 – 1993) that were highly successful in the pin-up girl illustration artwork that was dominated by Alberto Vargas (1896 – 1982), George Petty (1894 – 1975), Gil Elvgren (1914 – 1980), Bill Medcalf (1920 – 2005), Rolf Armstrong (1889 – 1960) and several others.
