The Big White Book
The Big White Book by Pearl Alice Frush Mann (1907 – 1986); a successful female pinup girl illustrator of the early 20th century.
This is a beautiful classic 50s pinup girl illustration of a beautiful redhead wearing embroidered brown lingerie, a garter belt, brown sheer stockings and a white sheer negligee, with gold tone slippers with pink floral tops.
She is sitting on a makeup bench with gold tone tassels, holding a large blank white book. The artwork seems to be from about 1955; as she Pearl Frush married her third husband, cellist Robert Goodell Mann in 1955.
To the plain white book I added the Peruvian Artist Alberto Vargas (1896 – 1982) pinup girl illustration Memories of Olive c1920 as a generational piece.
Ĉi tio estas readaptita cifereca arta reproduktaĵo de malnovaj majstroj de publika domajna bildo disponebla kiel a tolo presaĵo rete.
La Subaj Informoj Devenas Vikipedio.org
Pearl Alice Frush estis naskita en Sioux City, Woodbury, Iovao plu 1907; kiam ŝi estis juna ŝia familio translokiĝis al la Misisipa Ora Marbordo kaj komencis siajn artajn studojn en Nov-Orleano., Filadelfio kaj Novjorko kaj tiam ĉe la Lernejo de la Artinstituto de Ĉikago kiu estas rilata al la Artinstituto de Ĉikago.
During the late 1930s and early 1940s Pearl did freelance advertising work in Chicago included Vogue-Wright Studios, Sundblom, Johnson & Blanka, and Gerlach Barklow Co.
These companies published much of her successful pinup girl calendar art, including Liberty Belles, Girls of Glamour, and Glamour Round the Clock.
Pearl was one of three top female pinup glamour artist which included Joyce Ballantyne (1918 – 2006), and Zoë Mozert (1907 – 1993) that were highly successful in the pin-up girl illustration artwork that was dominated by Alberto Vargas (1896 – 1982), George Petty (1894 – 1975), Gil Elvgren (1914 – 1980), Bill Medcalf (1920 – 2005), Rolf Armstrong (1889 – 1960) and several others.