The Call Pinup Illustration
The Call Pinup Illustration by Peruvian Artist Alberto Vargas (1896 – 1982); kanggo seni pin-up girl alluring lan kepileh lan dianggep paling misuwur saka genre artis pin-up.
This is an sexy, erotic, alluring illustration of a 1920s beautiful young blonde, with deep red lips and fingernails in her birthday suit.
She is covering up all the essentials with a strategic pose, while talking on a white stylish handset with red line trimming, the handsets line cord flowing off her left arm and looping to the ground.
Iki minangka reproduksi master lawas seni digital remaster saka gambar domain umum sing kasedhiya minangka a rolled canvas print online.
Info Below From Wikipedia.org
Born in Arequipa, Peru, he was the son of noted Peruvian photographer Max T. Vargas. Alberto Vargas moved to the United States in 1916 after studying art in Europe, Zurich, and Geneva prior to World War I.
While he was in Europe he came upon the French magazine La Vie Parisienne, with a cover by Raphael Kirchner, which he said was a great influence on his work.
His early career in New York included work as an artist for the Ziegfeld Follies and for many Hollywood studios. Ziegfeld hung his painting of Olive Thomas at the theater, and she was thought of as one of the earliest Vargas Girls.
Vargas’ most famous piece of film work was for the poster of the 1933 film The Sin of Nora Moran, which shows a near-naked Zita Johann in a pose of desperation. The poster is frequently named one of the greatest movie posters ever made.
He became widely noted in the 1940s as the creator of iconic World War-II era pin-ups for Esquire magazine known as “Vargas Girls.” Between 1940 lan 1946 Vargas produced 180 paintings for the magazine.
The nose art of many American and Allied World War II aircraft was inspired and adapted from these Esquire pin-ups, as well as those of George Petty, and other artists.
