Bàs Julius Caesar ann an gràbhaladh Seanadh nan Ròmanach
Tha an Death Of Julius Caesar In The Roman Senate Engraving by British Engraver James Charles Armytage (1802 – 1897); after a painting by French Painter Jean-Léon Gérôme (1824 – 1904). James is known to have created over 200 engravings during his career.
The Death Of Julius Caesar In The Roman Senate is a dramatic and powerful scene that depicts the events of that faithful day on March 15, 44 B.C. in Roman History; when in the Roman Senate House, Julius Caesar is murdered by 60 conspirators that, led by Marcus Junius Brutus and Gaius Cassius Longinus.
The assassins involved in Caesar’s death have all gathered together cheering his murder, as they flail their swords in the air after stabbing and hacking him to death; while in the background we see many of the other senators of the Roman senate fleeing in fear of their own lives.
With the chair in which Caesar sat toppled over on the steps, we see his bloody body laying on the floor and a trail of his blood being carried on the sandals of his gleeful murders.
The Death Of Julius Caesar In The Roman Senate Engraving is a retouched digital art reproduction of a public domain image.
Gu h-ìosal Fiosrachadh a thàinig bho Uicipeid
Jean-Leon Gerome (11 A 'Chèitean 1824 - 10 Am Faoilleach 1904) na pheantair agus na shnaidheadair Frangach san stoidhle ris an canar an-diugh acadaimigeach. Chaidh na dealbhan aige ath-riochdachadh cho farsaing is a bha e “dh’fhaodar a ràdh gur e an neach-ealain beò as ainmeil san t-saoghal ro 1880.”[1] Am measg an raon obrach aige bha peantadh eachdraidheil, Beul-aithris na Grèige, Orientalism, dealbhan, agus cuspairean eile, a’ toirt an traidisean peantaidh acadaimigeach gu crìoch ealanta. Tha e air a mheas mar aon de na peantairean as cudromaiche bhon ùine acadaimigeach seo.
Ann an 1840 chaidh e gu Paris, far an do rinn e sgrùdadh fo Paul Delaroche, anns an deach e còmhla ris an Eadailt 1843. Thadhail e air Florence, Ròimh, am Bhatican agus Pompeii. Nuair a thill e gu Paris ann an 1844, coltach ri mòran oileanach Delaroche, chaidh e a-steach don taigh-bìdh aig Teàrlach Gleyre agus rinn e sgrùdadh an sin airson ùine ghoirid. Chaidh e an uairsin gu Sgoil nan Ealan Fine. Ann an 1846 dh'fheuch e ri dhol a-steach don Prix de Rome cliùiteach, ach dh'fhàilig e san ìre mu dheireadh oir cha robh an dealbh figear aige iomchaidh.
An dealbh aige The Cock Fight (1846) 'S e eacarsaich acadaimigeach a th' ann a tha a' sealltainn fear òg rùisgte agus boireannach òg le aodach tana le dà choileach sabaid, le Bàgh Naples air a' chùl. Chuir e an dealbh seo gu Salon Paris of 1847, far an d’ fhuair e bonn treas clas. Bha an obair seo air fhaicinn mar phrìomh eisimpleir den ghluasad Neo-Grec a thàinig a-mach à stiùidio Gleyre. (nam measg Henri-Pierre Picou agus Jean-Louis Hamon), agus chaidh a bhrosnachadh leis an neach-càineadh buadhach Frangach Théophile Gautier, rinn an lèirmheas aige Gérôme ainmeil agus chuir e air bhog a chùrsa-beatha gu h-èifeachdach.
Thrèig Gérôme a bhruadar mu bhith a’ buannachadh Prix de Rome agus ghabh e brath air a shoirbheachadh obann. Na dealbhan aige The Virgin, an Leanabh Iosa agus an Naomh Eòin agus Anacreon, Fhuair Bacchus agus Eros bonn den dàrna ìre aig Salon Paris ann an 1848. Ann an 1849, rinn e na dealbhan Michelangelo (ris an canar cuideachd Anns an Stiùidio aige) agus A Portrait of a Lady.
Ann an 1851, sgeadaich e vase a thug an t-Ìmpire Napoleon III na Frainge dhan Phrionnsa Albert an dèidh sin, a-nis mar phàirt den Chruinneachadh Rìoghail aig St. Lùchairt Sheumais, Lunnainn. Sheall e taobh a-staigh na Grèige, Cuimhneachan às an Eadailt, Bacach agus Gràdh, Deoch a-steach 1851; A' phlàigh a-staigh 1852; agus An Idyll a-staigh 1853
Ann an 1852, Fhuair Gérôme coimisean airson dealbh-balla mòr a pheantadh de chuspair alegorical a thagh e. Aois Augustus, breith Chriosd, a chuireadh ri chèile breith Chriosd ri cinnich air an ceannsachadh a' toirt ùmhlachd do Augustus, 's dòcha gun robh e an dùil Napoleon III a dhèanamh rèidh, cò an riaghaltas a bharantaich am balla-balla agus a chaidh ainmeachadh mar a “Augustus ùr.
Ann an 1854, chuir e crìoch air coimisean cudromach eile, sgeadachadh Caibeal St. Jerome ann an eaglais St. Severin ann am Paris. An Comanachadh mu dheireadh aige de St. Tha Jerome anns a’ chaibeal seo a’ nochdadh buaidh sgoil Ingres air na h-obraichean cràbhach aige; agus a-steach 1855 chuir e Pifferaro ris, Cìobair, agus Aois Augustus, breith Chriosd, to the Universal Exhibition; but it was the modest painting Recreation in a Russian Camp that garnered the most attention .