The Eavesdropper by Eugen von Blaas
The Eavesdropper ji aliyê Eugen von Blaas

The Eavesdropper

The Eavesdropper c1906 by Italian Painter Eugen von Blaas (1843 – 1931); Wekî Eugene de Blaas jî tê zanîn) Serdema Klasîzma Akademîk. Her çend wî pir caran dîmenên Venedîkê xêz kirin; he also painted many portraits and religious works of art.

This scene depicts a young maiden that is in a courtyard looking through a large partially open door viewing and listening to what people on the other side are saying, unbeknown to them.

She is wearing gold earrings, a gold hair tie, a white dress, velour red corset, yellow dress, blue scarf, blue stockings and black open heal shoes.

The door is hinged to, two large stone columns that are part of large brick walls; with the wall behind her having plants growing out of the ground near the wall and a tree leaning against it; also through the open door we can see the forest.

Ev hunera dîjîtal a ji nû ve hatî nûvekirinek masterên kevn ên wêneyek qada gelemperî ye ku wekî a çapkirina canvas serhêl.

Agahiyên Li jêr Ji Derketî Wikipedia.org

He was born at Albano, near Rome, to a Tyrolean father and Italian mother. His father Karl, also a painter, was his teacher. His mother, Agnesina Auda, was a well-to-do Roman woman. The family moved to Venice when Karl became Professor at the Academy of Venice. He often painted scenes in Venice, but also portraits and religious paintings.

Among his works are La forma nuziale in sacrestia; La tombola in Campielo a Venezia; Una scena di burattini in un educanciatu; and La Ninetta. The art critic Luigi Chirtani, when the painting was displayed at the Mostra Nazionale di Venezia, described it as Beautiful, flattering, pretty, caressed, cleaned, polished, laundress in a painting by Mr. Blaas, the favorite portraitist of great Venetian aristocrats, dressed in gala satins, shining jewelry, hairstyles of the rich.

His colorful and rather theatrical period images of Venetian society, e.g. On the Balcony (1877; Private Collection), were quite different compared to delicate pastels and etchings of the courtyards, balcony and canals of modern Venice.

Eugene Blaas’ paintings were exhibited at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool

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