폼페이 최후의 날
러시아 화가 칼 브륄로프(Karl Bryullov)의 1833년 폼페이 최후의 날 (1799 – 1852 – 샤를 브륄로 출생); 초상화가, 장르 및 역사 예술가, 러시아 신고전주의에서 낭만주의로의 이행에서 핵심 인물로 간주됩니다..
Bryullov의 이 강력한 작품은 폼페이의 주민들을 묘사합니다. (6th 사이 언젠가 설립 & 7기원전 세기), 그들은 베수비오 산의 분화 동안 그들의 도시가 파괴되는 공포에 대해 증언하면서 (79 기원 후.).
바위와 함께, 재와 용암이 그들 위로 내려옴; 남자들, 여성, 어린이와 동물이 도주를 시도합니다. 파괴 그들의 도시, 무엇에, 그들의 삶의 마지막 순간.
이것은 공개 도메인 이미지의 수정 된 디지털 아트 오래된 마스터 복제입니다.
아래에서 파생 된 정보 Wikipedia.org
Charles Bruleau에서 태어난 Karl Pavlovich Bryullov (1799 – 1852), 누구의 이름도 Briullov와 Briuloff로 음역됩니다.; was referred to by his friends as Karl the Great, and is considered as a key figure in the transition from the Russian neoclassic period to the romantic period.
Karl was born to Pavel Ivanovich Briullo (Brulleau, 1760 – 1833), an academician, woodcarver, and engraver who was of Huguenot (a religious group of French Prostestants) descent.
Though Karl Bryullov was educated at the Russian Imperial Academy of Arts from 1809 NS 1821, he never truly embraced the classical style which was taught by his mentors and which was also promoted by his older brother Alexander Bryullov (1798 – 1877).
After finishing his studies at the academy, where he had distinguished himself as an imaginative and distinguished student he left Russia for Rome, since from his early years he felt drawn to Italy.
He worked in Rome as a portraitist and genre painter until 1835; but his fame as an artist began when he started doing historical paintings; one of his best known works is The Last Day Of Pompeii 1830 – 1833; a massive engrossing composition.
Russian poet, playwright and novelist Alexander Sergeyevich Pushkin (1799 – 1837) and Russian novelist Nikolai Vasilyevich Gogol (1809 – 1842) compared this piece to the best works of Flemish Painter Peter Paul Rubens (1577 – 1640) and Dutch Painter Sir Anthony van Dyck (1599 – 1641), who was a student of Rubens.
폼페이 최후의 날 이탈리아에서 센세이션을 일으켰고 브륄로프는 당대 최고의 유럽 화가 중 한 명으로 자리 잡았습니다..