Glè chomasach
Glè chomasach roimhe seo 1914 leis a’ pheantair Eadailteach Cesare Detti (1847 – 1914); a tha ainmeil airson an eachdraidh eachdraidheil aige anmoch san 19mh linn agus tràth san 20mh linn seallaidhean gnè den 17mh agus an 18mh linn, air a bhrosnachadh le Stoidhle Ealain Troubadour.
Is e pìos àlainn de àm a tha seo de àm nuair a b’ e sabaid agus gaisge na gnàthasan ris an robh dùil aig a’ chomann bho fhir is bho bhoireannaich..
Tha e a’ sealltainn fear òg uasal a tha air a sgeadachadh le caip gorm le iteag dhearg air a’ mhullach, le seacaid ghorm co-ionnan agus lèine ruffled geal, agus caip buidhe air a cur thairis air a ghàirdean dheis agus air a ghualainn, le pants àrd glùine donn, agus stocainnean àrda glùin ceangailte le riobanan pinc a-steach do bhogha air an taobh, le brògan dubha le gearradh ìosal.
Tha e na sheasamh air aon taobh de allt cumhang aig a bheil ulpagan beaga gu meadhanach mòr na shlighe; a’ toirt taic cuideachaidh do bhoireannach òg uasal fhad ‘s a tha i a’ tòiseachadh a’ dol tarsainn an t-srutha.
Tha ròsan dearga is pinc air a’ bhoireannach òg na falt leughaidh, tha sin còmhdaichte le ad buidhe agus sgarfa mòr geal a bha a’ sruthadh timcheall mullach an ad, fo a smiogaid agus mu a h-amhaich; a’ còmhdach pàirt den t-seud-muineil choker neamhnaid aice.
Tha dreasa broilleach dearg domhainn-v agus farsaing oirre a tha air a sgeadachadh le dealbhadh fhlùraichean agus air a bheil sràcan geal ruffle air a’ bhroilleach agus muilnean goirid a tha a ’dol sìos dìreach fon uilinn.
Her red dress is composed of several layers with the red top layer opening up to reveal a pink and white layer that has decorative floral accents along its edge, before giving way to the bottom white full ruffle layer.
Behind the young lady are three white and one brown grazing sheep that are being tended by a boy that is playing a simple flue by the edge of the river.
The rest of the scene is comprised ground filled with rocks that has very little grass, some green plants and large trees in the background, inter-mixed with a cloud filled blue sky.
Très Galant is a remastered digital art old masters reproduction of a public domain image that is available as a clò-bhualadh canabhas air-loidhne.
Fiosrachadh gu h-ìosal a thàinig bho Wikipedia.org
Cesare was borne to Davide Detti an engineer and amateur painter on November 28, 1848 in Spoleto Italy; and showed from an early age an interest in art, that was encouraged by his father.
Nuair a bha e 13 years old he met the Italian Painter Francesco Coghetti (1801 – 1875), a painter from Rome, who was creating murals at the Teatro Nuovo Gian Carlo Menotti; Coghetti, seeing the young boys talent made the suggestion that Cesare should attend the Accademia di San Luca where he was a professor, for formal artistic training.
He studied at the academy until 1866, coming under the influence of Spanish Painter Marià Josep Maria Bernat Fortuny i Marsal (1838 – 1874); who was the leading Spanish painter of his day with an international reputation, who was more commonly known as Marià Fortuny or Mariano Fortuny.
Fortuny, introduces Cesare to the Macchiaioli; a bha nam buidheann de pheantairean Eadailteach a bha an sàs ann an Tuscany san dàrna leth den naoidheamh linn deug, a rinn a’ mhòr-chuid de na dealbhan aca air a’ bhlàr a-muigh, gus solas nàdarrach a ghlacadh, dath agus dath; a chaidh air seachran bho na gnàthasan a bha air an teagasg aig acadamaidhean ealain Eadailteach aig an àm.
Nuair a chuir e crìoch air a chuid ionnsachaidh thòisich Cesare air siubhal fad is farsaing, seachad iomadh bliadhna ann an Naples, An Eadailt agus a 'taisbeanadh an sin ann an 1872; an stigh 1876 shiubhail e gu Paris, An Fhraing agus choinnich e ris a’ pheantair Frangach Jean-Baptiste Adolphe Goupil (1806 – 1893); a bha na phrìomh neach-reic ealain aig an àm agus a dh’ aontaich an obair ealain aige a thaisbeanadh, a bharrachd air a bhith ag ullachadh an obair-ealain aige a bhith air a ghràbhaladh airson a luchd-ceannach bourgeois.
Mu dheireadh a 'tuineachadh ann am Paris, rinn e taisbeanadh aig an Salon ann an 1877; agus an uairsin a-steach 1880 phòs e Juliette-Emilie Filieuse, with whom he had two daughter and a son.
When he and his family moved to the commune of Bourron-Marlotte, just outside of Paris in 1883, he became a member of the Groupe de Marlotte; an independent society of landscape painters.
Five years later he participated in the Italian Exhibition in London, and the following year in 1889 he had showings at the Exposition Universelle, where he was the Vice-President of the Italian Committee; he also exhibited at the Exposition Universelle in 1900 where he was awarded a Silver Medal.