Un Temple Circulaire
Un Temple Circulaire Jadis Dédié (A Once Dedicated Circular Temple) by French Painter Hubert Robert (1733 – 1808), who specialized in creating artwork of the Rococo, Neoclassicism, Romanticism, Otitọ, and Renaissance styles.
This painting by Hubert Robert shows a group of people around an ancient circular temple ruin, that has become home to birds (most likely pigeons); with two men at the side of the temple actively forcing the birds to take flight.
While two women at the front of the temple, are in a discussion in front of a part of a fallen piece of architecture that has a painting on it, of what appears to be a soldier partially embracing a nude woman that has her back to the viewer.
Un Temple Circulaire Jadis Dédié is a retouched digital art old masters reproduction of a public domain image that is available for purchase online as a ti yiyi kanfasi si ta.
Alaye Isalẹ Lati Wikipedia.org
Hubert Robert a bi ni Paris ni 1733. Baba re, Nicolas Robert, wà ninu awọn iṣẹ ti François-Joseph de Choiseul, marquis de Stainville a asiwaju diplomat lati Lorraine. Ọmọde Robert pari awọn ẹkọ rẹ pẹlu awọn Jesuits ni Collège de Navarre ni 1751 o si wọ inu atelier ti alarinrin Michel-Ange Slodtz ti o kọ ọ ni apẹrẹ ati irisi ṣugbọn gba u niyanju lati yipada si kikun. Ninu 1754 ó lọ sí Róòmù nínú ọkọ̀ ojú irin Étienne-François de Choiseul, son of his father’s employer, ẹniti o jẹ aṣoju Faranse ati pe yoo di Akowe ti Ipinle fun Awọn ọran Ajeji si Louis XV ni 1758.
O lo ni kikun ọdun mọkanla ni Rome, a o lapẹẹrẹ ipari ti akoko; after the young artist’s official residence at the French Academy in Rome ran out, o ṣe atilẹyin fun ararẹ nipasẹ awọn iṣẹ ti o ṣe fun awọn alamọja abẹwo bii abbé de Saint-Non, ẹniti o mu Robert lọ si Naples ni Oṣu Kẹrin 1760 lati be awọn dabaru ti Pompeii. Awọn marquis de Marigny, oludari Bâtiments du Roi ṣe akiyesi idagbasoke rẹ ni ifọrọranṣẹ pẹlu Natoire, oludari ti French Academy, ti o ro awọn pensionnaires lati a Sketch jade-ti-ilẹkun, lati iseda: Robert ko nilo iyanilẹnu; yiya lati rẹ sketchbooks iwe awọn irin ajo rẹ: Villa d’Este, Caprarola.
Wiwo ti Port of Rippeta ni Rome, c. 1766, showing the Ancient Roman Pantheon next to an imaginary port
The contrast between the ruins of ancient Rome and the life of his time excited his keenest interest. O sise fun akoko kan ninu awọn isise ti Pannini, ti ipa rẹ ni a le rii ni Iwoye Irora ti Ile-iṣẹ Louvre Ruined (àkàwé). Robert lo akoko rẹ ni ile-iṣẹ awọn oṣere ọdọ ni Circle ti Piranesi, whose capricci of romantically overgrown ruins influenced him so greatly that he gained the nickname Robert des ruines.[2] Awọn awo-orin ti awọn aworan afọwọya ati awọn aworan ti o pejọ ni Rome fun u ni awọn apẹrẹ ti o ṣiṣẹ sinu awọn kikun ni gbogbo iṣẹ rẹ.
Related Art You May Like:
The Old Temple by Hubert Robert – A Beautiful Capriccio
The Ponte Salario by Hubert Robert – A Useful Ancient Relic Of The Past
Landscape with a Stairs and Obelisk by Hubert Robert – A Serene and Beautiful Scene
Abbey in Ruins in Valencia Countryside by Wilhelm Gail – Beautiful & Tranquil Ancient Architecture