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Youth by Hans Zatzka
Juventude por Hans Zatzka

Youth

Youth c1900 by Austrian Painter Hans Zatzka (1859 – 1945); also known as P. Ronsard, Pierre de Ronsard, or H. Zabateri and he signed many of his works as Joseph Bernard, J.. Bernard, or Bernard Zatzk to avoid the penalties of braking contracts that limited how many works he could sell.

This is another of at least three versions (the best known being Bestrafter Ubermut; which is also available in this collection of old masters fine art creations) created by Zatzka, depicting a young woman scolding cupid.

Esta é uma reprodução retocada de arte digital de antigos mestres de uma imagem de domínio público que está disponível como impressão em tela on-line.

Informações abaixo derivadas de Wikipédia.org

Hans Zatzka às vezes conhecido como P. Ronsard, Pierre de Ronsard, or H. Bateria, e assinou muitas de suas obras como Joseph Bernard, J.. Bernard, ou Bernard Zatzka.

The purpose of Zatzka’s vast array of pseudonyms was to avoid penalties of breaking contracts which limited the amount of artwork he could sell.

This has caused some art databases to conflate Zatzka’s work under the pseudonym Joseph Bernard with the French sculptor with the same name.

Hans Zatzka was born on 8 Marchar 1859 in Vienna. His father Bartholomaüs was a construction worker, and his mother was Marie Karpischek Zatzka.

Entre 1877 e 1882, he studied at the Academie des Beaux-Arts, under Christian Griepenkerl, Carl Wurzinger, and Karl von Blaas.

Zatzka was able to earn a living through the production of frescoes for churches and other institutions.

Em 1885, Zatzka was commissioned to create the ceiling fresco The Naiad of Baden at Kurhaus Baden.

Many of Zatzka’s works were religious paintings and altar pieces dedicated to various churches in Austria.

No entanto, he is more known for his paintings of women, fairies, and other fantastical scenes.

Often, he would draw inspiration from the works of Richard Wagner and the fairy tales of the Brothers Grimm.

In the late 19th and early 20th century, several pieces by Zatzka were photographed and made into commercial and collectable postcards.

During the 1920s, Zatzka’s style became the decor of choice throughout Europe. Além disso, the previous thirty years held a resurgence for Zatzka.

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