A Good Catch
A Good Catch c1894 troch Italjaanske skilder Eugen von Blaas (1843 – 1931); also known as Eugene de Blaas of the Academic Classicism Period. Hoewol hy faak skildere Fenesiaanske sênes; hy skildere ek in protte portretten en religieuze keunstwurken.
This is a genre portrait of a beautiful Italian young lady that has just come from the shore where she has caught some fish and a lobster which she has placed in a wicker basket, that she is going to sell at the market.
She is standing by a red brick wall that has mortar covering most of it near a double wall, that seems to be part of a building.
She is wearing gold orb earrings, a white short sleeve blouse, over which she is wearing a red corset and a yellow-gold colored full length dress, blue stockings and black shoes with brass buckles.
She is holding part of her skirt with her right hand; while holding the basket of seafood against her hip with her extended left hand as she looks into the distance from her left.
Dit is in remastered digitale keunst âlde masters reproduksje fan in byld yn it iepenbier domein dat is beskikber as in opgerold canvas print online.
Info hjirûnder ôflaat fan Wikipedia.org
Eugen von Blaas was born at Albano, tichtby Rome, oan in Tiroler heit en Italjaanske mem. Syn heit Karl, ek in skilder, wie syn learaar. Syn mem, Agnesina Auda, wie in begoedige Romeinske frou. De famylje ferhuze nei Feneesje doe't Karl heechlearaar waard oan 'e Akademy fan Feneesje. Hy skildere faak sênes yn Feneesje, mar ek portretten en religieuze skilderijen.
Under syn wurken binne The nuptial form in the sacristy; Bingo yn Campielo yn Venetië; In sêne fan poppen yn in skoalle; en La Ninetta. De keunstkritikus Luigi Chirtani, doe't it skilderij útstald waard by de Mostra Nazionale di Venezia, beskreau it as Beautiful, flattering, skoander, streake, skjinmakke, oppoetst, wasker yn in skilderij fan Mr. Blaas, de favorite portrettist fan grutte Venetianske aristokraten, klaaid yn gala satyn, shining sieraden, hairstyles fan de rike.
Syn kleurrike en nochal teatrale perioade bylden fan de Venetianske maatskippij, bgl. Op it balkon (1877; Privee Samling), wiene hiel oars yn ferliking mei delikate pastels en etsen fan 'e hôven, balkon en grêften fan moderne Feneesje.
Eugene de Blaas’ skilderijen waarden útstald oan de Royal Academy, Fine Art Society, New Gallery en Arthur Tooth and Sons Gallery yn Londen, en ek by de Walker Art Gallery yn Liverpool