A Sweet Glance
A Sweet Glance by French Painter Émile Vernon (1872 – 1919); a rinne speisialtóireacht ar phéinteáil uiscedhathanna, ba é a phríomhábhar ná mná agus leanaí i suíomhanna tuaithe geal agus ildaite. Rinne sé oiliúint faoi William Bouguereau agus Auguste Trouphème i Scoil na nEalaíon i bPáras na Fraince.
A Sweet Glance is a beautiful idealized vintage art portrait of an attractive young woman with auburn colored her sitting on an octagonal wooden bench painted in blue that has been built around a tree within a lush garden.
She is wearing a green ribbon in her hair with the same ribbons attached to the shoulders of her blue dress and a very large one that is tied around her just below her breast line.
On the v neck of her dress she is wearing a white rose and there is a similar rose resting on her dress that is on the bench. She is also wearing white arms length gloves, with one her left hand having a solid gold bracelet and her right hand has a chain link bracelet.
Her hands are resting on an open book that rest on her lap; and the lush greenery with trees and planets completes the image.
A Sweet Glance is a retouched digital art old masters reproduction of a public domain image that can be purchased online as a canvas print.
Eolas Thíos Ó Galerie Ary Jan
Bhí Émile Vernon ina mhac léinn i scoil na Mínealaíne i Tours áit ar bhuaigh sé an chéad duais as tarraingt isteach 1888; ina dhiaidh sin thug William Bouguereau agus Auguste Truphème meantóireacht air.
Ansin isteach 1898 ghlac sé páirt i dtaispeántas Tours ar na Mínealaíona agus na hEalaíona Maisiúla agus níos déanaí sa bhliain sin, sa Taispeántas Ealaíontóirí Francacha agus taispeánadh saothar hie go rialta ann ó 1898 chun 1913; ag cur i láthair portráidí, tírdhreacha, radhairc ón mBriotáin, bouquets fós den saol a phéinteáil sé in uiscedhath, chomh maith le figiúirí baininscneach, a tháinig chun bheith ina speisialtacht.
Émile excelled in his paintings of softly lighted, adorable figures of children and elegant young women, with whom he often associated a pet such as a cat, dog or bird, and adorned his images with garlands or bouquets of flowers, throughout his career; but he was also a very versatile artist that could paint with rigor and power as in his works the portrait of Madame Vernon and Sous la Lampe (Under the lamp).