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Alexander the Great Cutting the Gordian Knot by Giovanni Paolo Pannini
Alessandro Magno tagliando il nodo gordiano di Giovanni Paolo Pannini

Alexander the Great Cutting the Gordian Knot

Alexander the Great Cutting the Gordian Knot c1718-19 by Italian Artist Giovanni Paolo Pannini (1691–1765); known as an architect and painter of his vistas of Rome, detailing the antiquities of that great city.

This piece follows the legend of the Phrygians an an ancient Indo-European speaking people, who inhabited central-western Anatolia in antiquity; and were related to the Greeks.

The Phrygians were without a king; but an oracle at Telmissus, the ancient capital of Lycia decreed that the next man to enter the city that was driving an ox-cart should become their king.

Then a peasant farmer named Gordias came into the city on an ox-cart and was promptly declared king; and out of gratitude, his son Midas dedicated the ox-cart his father was driving to the Phrygian god Sabazios; whom the Greeks identified with Zeus and tied it to a post with an intricate knot of cornel bark.

The ox-cart still stood in the palace of the former kings of Phrygia at Gordium in the fourth century BC when Alexander the Great arrived there; by which time the kingdom of Phrygia had been reduced to a satrapy, or province, of the Persian Empire.

Then another oracle declared that the man capable of unraveling the elaborate knot was destined to become the ruler of Asia; and so Alexander gave his hand at unraveling the knot with little success; but he reasoned that it mad no difference how the knot was unraveled, so he drew his sword and sliced it mid way with a single stroke.

This is a retouched digital art reproduction of a public domain image.

Information Above & Below Is Derived From Wikipedia.org

Giovanni Paolo Panini ou Giovanni Paolo Pannini était un peintre et architecte qui a travaillé à Rome et est principalement connu comme l'un des vedutisti (“view painters”).

Cum'è un pittore, Pannini hè più cunnisciutu per e so vedute di Roma, in which he took a particular interest in the city’s antiquities.

Trà i so opere più famose sò a so vista di l'internu di u Pantheon (au nom de Francesco Algarotti 1712 – 1764 – Un polimaticu venezianu), è i so pitture vedute di galerie di pittura chì cuntenenu vedute di Roma.

A maiò parte di e so opere, in particulare quelli di ruvine, hannu un embellishment fantasiosa è irreale carattiristichi di temi capricciu. En cela ils ressemblent aux capricci du peintre et graveur italien Marco Ricci (1676 – 1730).

Panini hà ancu fattu ritratti, cumpresu unu di u Papa Benedettu XIV (né Prospero Lorenzo Lambertini 1675 – 1758 – Capu di a Chiesa Cattolica da 1740 – 1758).

In Roma, Panini hà guadagnatu un nome per ellu stessu cum'è decoratore di palazzi. Parmi ses œuvres figure la Villa Patrizi c1719/25, u Palazzo de Carolis c1720, è u Seminariu Rumanu c1721 / 22).

In 1719, Panini hè statu ammissu à a Cungregazione di i Virtuosi al Pantheon. Il a enseigné à Rome à l'Accademia di San Luca et à l'Académie de France, induve si dice chì hà influenzatu Jean-Honoré Fragonard. In 1754, serviu cum'è principe (direttore) de l'Accademia di San Luca.

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