Bubbles
Bubbles by American Painter Zoe Mozert [Alice Adelaide Moser] (1907 – 1993); Portraitist, Pinup Artist and Pun-up Model.
This is a beautiful and enchanting portrait nude pin up girl illustration of a beautiful young blonde with a red and white striped bow in her hair, sitting on red cushion on a white fur rug covered floor.
She has a bubble pipe in her mouth and a bowl of liquid soap by her legs, and is enjoying the youthful innocence of blowing bubbles into the air; and she has blown quite a few as they flow through the air capturing the color spectrum of the natural light that illuminates her body with a warm and relaxing glow.
Seo atáirgeadh sean-mháistrí ealaíne digiteach athshuite d’íomhá fearainn phoiblí atá ar fáil ar líne mar a priontáil chanbhás rollta.
Eolas Thíos Díorthaithe Ó Wikipedia.org
I 1925 Zoë began her studies at the Pennsylvania Museum School of Industrial Art, where she studied under Thornton Oakley, a former student of Howard Pyle; to pay for her art education she would model to raise money for her tuition.
Le linn a gairme ealaíne, Mozert painted hundreds of magazine covers and movie posters; í féin a úsáid go minic mar mhúnla dá cuid léaráidí, ceamaraí nó scátháin a úsáid chun an staidiúir a ghabháil.
I 1941, foilsitheoirí Brown & Bigelow purchased Mozert’s first nude artwork and signed her to an exclusive calendar contract; agus le linn an Dara Cogadh Domhanda, a sraith pin-up don chuideachta, ar a dtugtar Victory Girls, Foilsíodh é i bhfoirm féilire agus i bhfoirm chártaí mutascóp.
I 1946, Chruthaigh Mozert an póstaer poiblíochta do Republic Pictures’ Cailín Féilire, Scannán faoi cailín Gibson; agus níos déanaí sa bhliain chéanna, phéinteáil sí na pinups don ghreannán Errol Flynn Never Say Goodbye, inar imir Flynn ealaíontóir pinup (She also created the illustrations shown in the movie’s opening credits.) .
Le 1950, Mozert had become one of the “big four” maisitheoirí go náisiúnta, in éineacht le Rolf Armstrong, Iarla Moran agus Gil Elvgren; agus is fearr aithne ar a cuid saothar mar gheall ar a stíl pastail agus a léiriú réalaíoch de mhná.
Some of Zoë’s most famous works include the poster for Paramount Pictures True Confession starring Carole Lombard, an póstaer don scannán Howard Hughes The Outlaw a bhfuil Jane Russell ina phríomhpháirt, agus an íomhá is mó tóir uirthi ná Song of the Desert c 1950.