Purple Orchid
Purple Orchid by American Painter Zoe Mozert [Alice Adelaide Moser] (1907 – 1993); Portraitist, Pinup Artist and Pun-up Model.
This is a striking glamour girl pinup illustration portrait of a fun loving beautiful young brunette with a captivating smile, sitting on a burgundy arm chair.
She is all decked out in a dark green off shoulder evening dress with matching long sleeve evening gloves and a classic brown mink stole.
She is wearing gold earrings and a matching gold chain and pendant necklace, and is holding a in her hands a square pattern gold colored clutch with a green gemstone accent; and on her right arm is a purple orchid with burgundy and gold accent ribbons.
For the background of this portrait is a splash of red, pink, oráiste, lime green and yellow tones that match the lighting hues that are reflecting of her skin.
This is a retouched digital art old masters reproduction of a public domain image that is available for purchase online as a priontáil chanbhás rollta.
Eolas Thíos Díorthaithe Ó Wikipedia.org
I 1925 Zoë began her studies at the Pennsylvania Museum School of Industrial Art, where she studied under Thornton Oakley, a former student of Howard Pyle; to pay for her art education she would model to raise money for her tuition.
Le linn a gairme ealaíne, Mozert painted hundreds of magazine covers and movie posters; í féin a úsáid go minic mar mhúnla dá cuid léaráidí, ceamaraí nó scátháin a úsáid chun an staidiúir a ghabháil.
I 1941, foilsitheoirí Brown & Bigelow purchased Mozert’s first nude artwork and signed her to an exclusive calendar contract; agus le linn an Dara Cogadh Domhanda, a sraith pin-up don chuideachta, ar a dtugtar Victory Girls, Foilsíodh é i bhfoirm féilire agus i bhfoirm chártaí mutascóp.
I 1946, Chruthaigh Mozert an póstaer poiblíochta do Republic Pictures’ Cailín Féilire, Scannán faoi cailín Gibson; agus níos déanaí sa bhliain chéanna, phéinteáil sí na pinups don ghreannán Errol Flynn Never Say Goodbye, inar imir Flynn ealaíontóir pinup (She also created the illustrations shown in the movie’s opening credits.) .
Le 1950, Mozert had become one of the “big four” maisitheoirí go náisiúnta, in éineacht le Rolf Armstrong, Iarla Moran agus Gil Elvgren; agus is fearr aithne ar a cuid saothar mar gheall ar a stíl pastail agus a léiriú réalaíoch de mhná.
Some of Zoë’s most famous works include the poster for Paramount Pictures True Confession starring Carole Lombard, an póstaer don scannán Howard Hughes The Outlaw a bhfuil Jane Russell ina phríomhpháirt, agus an íomhá is mó tóir uirthi ná Song of the Desert c 1950.