Girl At The Window
Girl At The Window c1889 by Italian Painter Eugen von Blaas (1843 – 1931); Also known as Eugene de Blaas) do Período do Classicismo Acadêmico. Embora ele frequentemente pintasse cenas venezianas; ele também pintou muitos retratos e obras de arte religiosas.
This is a portrait of an attractive Venetian young women leaning on the balcony ledge of a very large window holding closed red rose in her right hand that is resting on the balcony ledge.
She is wearing an aqua blue hair kerchief on the top of her curly red or auburn hair, wearing diamond earrings and a gold string necklace.
Her dress is a two piece sectional, with the upper portion being a chemise of a white cotton material with ruffled sleeves and the high waist portion a floor length tunic or gown that is a light green blue with floral patterns that is front-laced with four crisscrossing cords that go from her chest down to her abdomen area.
Girl At The Window is a retouched digital art old masters reproduction of a public domain image that is available online for sale as a impressão em tela enrolada.
He was born at Albano, perto de Roma, de pai tirolês e mãe italiana. Seu pai Karl, também pintor, foi seu professor. Sua mãe, Agnesina Auda, era uma mulher romana abastada. A família mudou-se para Veneza quando Karl se tornou professor na Academia de Veneza.. Ele frequentemente pintava cenas em Veneza, mas também retratos e pinturas religiosas.
Entre suas obras estão A forma nupcial na sacristia; A tombola em Campielo em Veneza; Una scena di burattini in un educanciatu; and La Ninetta. The art critic Luigi Chirtani, when the painting was displayed at the Mostra Nazionale di Venezia, described it as Beautiful, flattering, pretty, caressed, cleaned, polished, laundress in a painting by Mr. Blaas, the favorite portraitist of great Venetian aristocrats, dressed in gala satins, shining jewelry, hairstyles of the rich.
His colorful and rather theatrical period images of Venetian society, por exemplo. On the Balcony (1877; Private Collection), were quite different compared to delicate pastels and etchings of the courtyards, balcony and canals of modern Venice.
Eugênio de Blaas’ paintings were exhibited at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool