Madonna Aintzan
Madonna glorian c1665-75 Carlo Dolci margolari italiarrarena (1616 – 1686); Barroko garaiko margolaria izan zen eta oso landutako artelan erlijiosoengatik ezaguna zen.
Hau arte kristauaren erretratua da Maria Magdalena edo Andre Maria, Jesusen ama Jainkoaren argia gainean duela.
Kolorearen erabilera Dolci, argiak eta itzalak erlijio-arte leun eta maitagarri eder bat sortzen du; hodeien gainean dagoenean eta hodei gehiagoz inguratuta, buruaren atzean distira laranja abisua duena izar sorta zirkular batek azentua duena.; horietatik zortzi ikusleak ikus daitezke.
Buruaren gainean zapi ilun batekin jantzita dago, a read under garment that cover over with a blue top dress and lastly a dark grey mesh scarf lays across her chest from shoulder to shoulder.
To complement this piece I created an elaborate yet beautiful embossed border with gold tones and added the title of the artwork Madonna in Glory at the bottom.
This is a retouched digital art old masters reproduction of a public domain image that can be purchased as a mihise inprimatu sarean.
Pieza honetan erabilitako dekorazio-azentuak hemen daude eskuragarri OndareMota
Informazioa Behean Deribatua Wikipedia.org
Carlo was born in Florence; the grandson of a painter on his mothers side of the family who at a very early age apprenticed with Italian Baroque Jacopo Vignali (1592 – 1664).
Unlike many other painters Carlo was not a prolific painter; many times taking weeks working on just one part of the human body.
This made him unsuited for large scale fresco, asd so he mainly painted small scale and half body length portraits; although he did paint some full length portraits as well.
Dolci kristau sutsua zenez bere lanaren zati handi bat erlijio izaera du, bere sinesmen eta fede sendoa erakutsiz. Agnese Dolci alaba bat ere izan zuen (1635 – 1686), bere lanen kopiak egiten lagundu zuen artista bikaina zena.