Portrait of Marchesa Marianna Florenzi
Portrait of Marchesa Marianna Florenzi c1831 by Joseph Karl Stieler (1781 – 1858); was a Neoclassical Portrait painter who worked as a royal court painter to the Bavarian Kings and who is known for the Gallery of Beauties at Nymphenburg Palace in Munich as well as his portrait of Ludwig van Beethoven, which he did 1820.
This is another beautiful portrait of Marianna Florenzi (1802 – 1870), which was done when she was 29 urteak; who in her lifetime was an Italian Noblewoman and translator of philosophical works; she was also one of the first female students to study the natural sciences at the University of Perugia, Italy during the first half of the 19th Century.
This portrait has her sitting in an ornate golden chair and in the background is a compound square column to her right and to her left in the far distance are some trees on a plateau, set against a blue cloud filled sky.
She is wearing a red wine velvet off shoulder dress that has white lace trimming along the collar; and in her beautifully curled raven black hair is a gold chain headdress that terminates at her forehead with a large teardrop white pearl.
Hau arte digitala ukituta dagoen domeinu publikoko irudi baten erreprodukzioa da.
Beheko informazioa Wikipedia.org
Joseph Mainz hirian jaio zen, Alemania aspaldiko grabatzaile familia bati, puntzonatzaileak eta trokelak; aitarengandik prestakuntza artistiko bat jasotzen, August Friedrich Stieler (1736 – 1789).
Aitaren garaiz kanpoko heriotzaren ondoren, Joseph Karl-ek modu autodidaktikoan amaitu zuen bere ikaskuntza eta miniatura-margolari gisa hasi zuen bere ibilbidea, zirkulu burgesek gero eta gehiago bilatzen zituztenak.
Mainz Frantziako tropa iraultzaileek okupatu ondoren 1792, Stieler Friedrich Karl Joseph von Erthal printze artzapezpikuaren auzitegi kanporatua Aschaffenburgera jarraitu zuen..
Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor.
Bertatik 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler’s portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David.