Portrait de Prosper de Barante
Portrait de Prosper de Barante c1814 by Anne-Louis Girodet de Roussy-Trioson (1767 – 1824); who was a student of Jacques-Louis David (you can see some of his artwork in the collection) and was part of the early Romantic Movement. Hy is bekend om syn dúdlike en krekte styl en om de skilderijen fan 'e Napoleontyske famylje.
Dit is in portret of Amable Guillaume Prosper Brugière (1782 – 1866), Baron de Barante; a French Statesman and Historian that was part of the center left and a self proclaimed Liberal.
He is posed against a solid dark wall wearing a white high collar shirt with a white scarf wrapped around the collar and a black coat or jacket that also has a high collar.
Dit is in retoucheerde reproduksje fan âlde masters fan digitale keunst fan in ôfbylding yn it iepenbier domein dat online te keap is as in opgerold canvas print.
Info hjirûnder ôflaat fan Wikipedia.org https://wikipedia.org
Girodet was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
Girodet was born at Montargis. Both of his parents died when he was a young adult. The care of his inheritance and education fell to his guardian, a prominent physician named Benoît-François Trioson, “médecin-de-mesdames”, dy't him letter oannaam. The two men remained close throughout their lives and Girodet took the surname Trioson in 1812.
In school he first studied architecture and pursued a military career. He changed to the study of painting under a teacher named Luquin and then entered the school of Jacques-Louis David.
Yn de âldens fan 22 he successfully competed for the Prix de Rome with a painting of the Story of Joseph and his Brethren.
Fan 1789 nei 1793 he lived in Italy and while in Rome he painted his Hippocrate refusant les presents d’Artaxerxes and Endymion-dormant (now in the Louvre), a work which gained him great acclaim at the Salon of 1793 and secured his reputation as a leading painter in the French school.
Once he returned to France, Girodet painted many portraits, including some of members of the Bonaparte family. Yn 1806, in competition with the Sabines of David, he exhibited his Scène de déluge (Louvre), which was awarded the decennial prize.
Yn 1808 he produced the Reddition de Vienne and Atala au tombeau, a work which won immense popularity, by its fortunate choice of subject, François-René de Chateaubriand’s novel Atala, first published in 1801; and its remarkable departure from the theatricality of Girodet’s usual manner. He would return to his theatrical style in La Révolte du Caire (1810).