Tintern 수도원의 폐허 스케치
Sketching the Ruins of Tintern Abbey by British Painter Samuel Colman (1780 – 1845); 초상화 화가, 드로잉 마스터이자 낭만주의 화가, Biblical and Genre Scenes in which his faith was central to his artwork.
A beautiful landscape painting of the Ruins of Tintern Abbey as a family sits on the grass of the grounds having a picnic while a worker toils at up keeping the grounds and we can also see two other people far off strolling past an archway.
The image is lush with greenery and trees that are covering the ruins and the use of lighting and shading make for an ideal picturesque image.
이것은 리터칭된 디지털 아트 옛 거장 복제품으로 공개 도메인 이미지로 구매할 수 있습니다. 압연 인쇄.
아래 정보 Wikipedia.org
Born in Portland, 메인, Colman moved to New York City with his family as a child. His father opened a bookstore, attracting a literate clientele that may have influenced Colman’s artistic development
He is believed to have studied briefly under the Hudson River School painter Asher Durand, and he exhibited his first work at the National Academy of Design in 1850.
에 의해 1854 he had opened his own New York City studio. The following year he was elected an associate member of the National Academy, with full membership bestowed in 1862.
His landscape paintings in the 1850s and 1860s were influenced by the Hudson River School, an example being Meadows and Wildflowers at Conway (1856) now in the collection of the Frances Lehman Loeb Art Center at Vassar College.
He was also able to paint in a romantic style, which had become more fashionable after the Civil War. One of his best-known works, and one of the iconic images of Hudson River School art, is his Storm King on the Hudson (1866), now in the collection of the Smithsonian American Art Museum in Washington, DC.
Colman was an inveterate traveler, and many of his works depict scenes from foreign cities and ports. He made his first trip abroad to France and Spain in 1860–1861, and returned for a more extensive four-year European tour in the early 1870s in which he spent much time in Mediterranean locales.
Colman often depicted the architectural features he encountered on his travels: cityscapes, castles, bridges, 아치, and aqueducts feature prominently in his paintings of foreign scenes. 에 1870 and again in the 1880s he journeyed to the western United States, 범위와 스타일 면에서 토마스 모란(Thomas Moran)의 그림과 비교할 만한 서부 풍경을 그렸습니다..
콜먼의 예술 활동은 말년에 더욱 다양해졌습니다.. 1880년대까지 그는 인테리어 디자이너로 광범위하게 일했습니다., 사무엘 클레멘스(Samuel Clemens) 디자인에 그의 친구 루이스 컴포트 티파니(Louis Comfort Tiffany)와 협력’ 하트퍼드 홈, 나중에는 Henry와 Louisine Havemeyer의 집인 Fifth Avenue에 있습니다..
그는 또한 아시아 장식품의 주요 수집가가 되었습니다., 기하학과 예술에 관한 두 권의 책을 썼습니다, 그 중 하나는 자연의 조화로운 통일성(Nature's Harmonic Unity)이라는 제목이 붙었습니다., 비례 형식이라는 제목의 다른 하나. Colman은 뉴욕시에서 사망했습니다. 1920.