The Boyarina
The Boyarina c1885 by Russian Painter کونسٹنٹن ماکووسکی (1839 - 1915); specializing in Russian Historical paintings showing an idealized view of Russian life in past centuries.
This is a portrait of beautiful young lady of the Boyar class in Russia, that was part of the Russian Nobility ; just below that of a Prince; which was abolished by Peter The Great when he took power in 1697 and began to make reforms to the Russian system of governance.
She is sitting in an arm chair wearing a floral red blouse with white sleeves and white embroidery down the center; along with a large silver braided neck piece and necklace and a matching large silver headpiece.
She is also wearing a silver ring with a white pearl on her left hand; and is partially covered with a brown fur coat.
She has a solemn look on her face as light streaming illuminates her face and body through a window.
This is a retouched digital art reproduction of a public domain image that is available for purchase as a کینوس پرنٹ آن لائن.
سے اخذ کردہ معلومات Wikipedia.org
Konstantin Makovsky ایک بااثر روسی مصور تھا۔, affiliated with the “Peredvizhniki (آوارہ)”. ان کی کئی تاریخی پینٹنگز, جیسے تاج کے نیچے (1889) also known as The Russian Bride’s Attire and Before the Wedding, پچھلی صدیوں کی روسی زندگی کا ایک مثالی نظریہ دکھایا. وہ اکثر اکیڈمک آرٹ کا نمائندہ سمجھا جاتا ہے۔.
Konstantin Makovsky ماسکو میں پیدا ہوا تھا. اس کے والد روسی آرٹ کی شخصیت اور شوقیہ پینٹر تھے۔, یگور ایوانووچ ماکووسکی. ان کی والدہ ایک کمپوزر تھیں۔, اور اسے امید تھی کہ اس کا بیٹا ایک دن اس کے نقش قدم پر چلے گا۔. اس کے چھوٹے بھائی ولادیمیر اور نکولے اور اس کی بہن الیگزینڈرا بھی پینٹر بن گئے۔.
میں 1851 ماکووسکی ماسکو سکول آف پینٹنگ میں داخل ہوئے۔, مجسمہ سازی اور فن تعمیر جہاں وہ ٹاپ طالب علم بنے۔, تمام دستیاب ایوارڈز آسانی سے حاصل کرنا. ان کے اساتذہ کارل برائیولوف اور واسیلی ٹراپینن تھے۔. Makovsky’s inclinations to Romanticism and decorative effects can be explained by the influence of Bryullov.
Although art was his passion, he also considered what his mother had wanted him to do. He set off to look for composers he could refer to, and first went to France. Before, he had always been a classical music lover, and listened to many pieces. He often wished he could change the tune, or style of some of them to make them more enjoyable. Later in his life it came true.
میں 1858 Makovsky entered the Imperial Academy of Arts in Saint Petersburg. سے 1860 he participated in the Academy’s exhibitions with paintings such as Curing of the Blind (1860) and Agents of the False Dmitry kill the son of Boris Godunov (1862). میں 1863 Makovsky and thirteen other students held a protest against the Academy’s setting of topics from Scandinavian mythology in the competition for the Large Gold Medal of Academia; all left the academy without a formal diploma.
Makovsky became a member of a co-operative (artel) of artists led by Ivan Kramskoi, typically producing Wanderers paintings on everyday life (Widow 1865, Herring-seller 1867, etc.). سے 1870 he was a founding member of the Society for Traveling Art Exhibitions and continued to work on paintings devoted to everyday life. He exhibited his works at both the Academia exhibitions and the Traveling Art Exhibitions of the Wanderers.
A significant change in his style occurred after traveling to Egypt and Serbia in the mid-1870s. اس کی دلچسپیاں سماجی اور نفسیاتی مسائل سے رنگوں اور شکل کے فنی مسائل میں بدل گئیں۔.
1880 کی دہائی میں وہ پورٹریٹ اور تاریخی پینٹنگز کے فیشن ایبل مصنف بن گئے۔. کے عالمی میلے میں۔ 1889 پیرس میں اسے اپنی پینٹنگز ڈیتھ آف ایوان دی ٹیربل کے لیے بڑا گولڈ میڈل ملا۔, پیرس کا فیصلہ, اور شیطان اور تمارا۔. وہ اس وقت کے انتہائی قابل تعریف اور انتہائی معاوضہ لینے والے روسی فنکاروں میں سے ایک تھے۔. بہت سے جمہوری نقاد اسے آوارہ گردوں کا سرکش سمجھتے تھے۔’ نظریات, پیدا کرنے والا (like Henryk Siemiradzki) striking but shallow works,[2] while others see him as a forerunner of Russian Impressionism.
Makovsky was killed in 1915 when his horse-drawn carriage was hit by an electric tram in Saint Petersburg.
