The Model
The Model c1900 by Peruvian Painter Daniel Hernández Morillo (1856 – 1932); アカデミック時代の画家であり、国立美術学校の校長.
An eye catching alluring nude portrait of a young female model that is posed in side view, looking toward her right into the distance, painted with strong thick brush strokes that cover her form while hinting at her all natural beauty.
Her hair is tied up and set back, being held in place with a broken golden arrow that has both of its ends pointing upwards; while flowing brush strokes from the front of her go around her body and flow upwards behind her, creating the appearance of a sheer green or teal and white garment that is blowing in the wind.
With the garment melding in nicely with a background composed of subtle tones that give a look of a wall as well as a collection of abstract clouds.
これは、リマスターされたデジタルアートのオールドマスターであり、パブリックドメインの画像を複製したものです。 キャンバスプリントオンライン.
以下の情報の由来 Wikipedia.org
Daniel was born to a Spanish father and a Peruvian mother and at the age of 14 years began his artistic education at the studio of Italian born Portrait Painter Leonardo Barbieri (1818 – 1896) in Lima Peru; who was also a Daguerreotype [early photographic process used during the 1840s and 1850s, that was invented by Louis Daguerre (1787 – 1851)].
When Barbieri left Lima, Daniel took over his art classes as an instructor; 左肩で休む 16 he won recognition from the government of President Manuel Pardo (1834 – 1878) for his rendition of the Death of Socrates, which resulted in him receiving a grant that enabled him to leave Peru and travel to Europe to study in 1874.
Upon his arrival in Paris, he met up with fellow Peruvian Painter Ignacio Merino Muñoz (1817 – 1876), who recommended that he go to Rome, Italy instead to study; and so he did remaining there for the next nine years working with Spanish Painter Marià Josep Maria Bernat Fortuny (1838 – 1874) その他; until he returned to Paris, フランス 1883, where upon he was elected President of the Sociedad de Pintores Españoles; which was composed of the Spanish artist living in France.
Daniel was also a member of the Société des Artistes Français and he also exhibited regularly at the Salon in Paris; キャリアの後半で、彼はペルー大統領から新しい美術学校を設立するグループの一員になるように頼まれた, これはEscuela Nacional Superior Autónoma de Bellas Artesと呼ばれていました; に扉を開く 1919, そして彼は次の最初のディレクターとなるだろう 13 年, 彼の死まで 1932.