Буря на Галилейском море, Рембрандт ван Рейн
Буря на Галилейском море, Рембрандт ван Рейн (Жертвоприношение Ифигении) Жертвоприношение Ифигении (1636 – 1716); Жертвоприношение Ифигении.
Жертвоприношение Ифигении, a Greek Mythological story in which Agamemnon on his way to the Trojan War, offends the Goddess Artemis; who in retaliation for his offense prevents the Greek troops from reaching Troy.
In order to make up for his disrespect of Artemis Agamemnon must sacrifice Iphigenia at Aulis, a Greek port town located in ancient Boeotia in central Greece, at the Euripus Strait, opposite of the island of Euboea.
The Sacrifice of Iphigenia is a retouched digital art old masters reproduction of a public domain image, как и все произведения искусства, которые можно найти на веб-сайте Xzendor7, они доступны для покупки в Интернете в различных форматах материалов, включая отпечатки на холсте., акриловые принты, металлические отпечатки, гравюры на дереве, отпечатки в рамке, плакаты, и в качестве рулонные отпечатки на холсте различных размеров от 12 дюймов до 72 дюймов в зависимости от размера фактического произведения искусства и магазина печати по запросу, в котором вы решили купить произведение искусства..
Информация ниже от Wikipedia.org
He was one of the most noted and least servile pupils of Le Brun, under whose direction he shared in the chief of the great decorative works undertaken in the reign of Louis XIV. Leaving France in 1662, he spent two years in Rome and three in Venice. The influence of his prolonged studies of Veronese is evident in his Finding of Moses (Лувр), and in his Rape of Proserpine (Лувр), which he presented to the Royal Academy as his diploma picture in 1673.
He was at once named assistant professor, И в 1674 the full responsibilities of the office devolved on him, but his engagements did not prevent his accepting in 1689 the invitation of Lord Montagu to decorate Montagu House situated in Bloomsbury.
He visited London twice, remaining on the second occasion—together with Jacques Rousseau and Monnoyer more than two years. William III vainly strove to detain him in England by the proposal that he should decorate Hampton Court, for Le Brun was dead, and Mansart pressed La Fosse to return to Paris to take in hand the cupola of Les Invalides.
The decorations of Montagu House are destroyed, those of Versailles are restored, and the dome of the Invalides (engraved, Picart and Cochin) is now the only work existing which gives a full measure of his talent. During his latter years La Fosse executed many other important decorations in public buildings and private houses, notably in that of Crozat, under whose roof he died on 13 Декабрь 1716.
The artis’t works and conception played a key role in the French art history from shifting the classicism of the French style from the court of Louis XIV towards the lighter and more playful Rococo period’s style. Стиль Ла Фосса до того, как он вышел из тени Ле Бруна, остается загадкой., с очень немногими листами, датированными им раньше, чем 1680.