An còmhdach de Veronica
An Veil of Veronica Circa 1618-1622 le Peantair Eadailteach Domenico Fetti (1589 – 1623), peantair Baróc Eadailteach a tha gnìomhach sa mhòr-chuid san Ròimh, Mantua agus Venice.
Tha an dealbh seo de Chrìosd na dhealbh fìor tharraingeach a tha a’ sealltainn aghaidh Chrìosd mar a bha e air a ghluasad chun a’ bhrat a thug boireannaich do Chrìosd airson a mhala a ghlanadh., oir bha e air a thurus gu bhi air a cheusadh an làthair a mhàthar Màiri.
Tha The Veil of Veronica na ath-riochdachadh seann mhaighstirean ealain dhidseatach de ìomhaigh fearann poblach a tha ri fhaighinn air-loidhne airson a cheannach mar Clò-bhualadh roilled.
Fiosrachadh gu h-ìosal Foirm Wikipedia.org
Rugadh e anns an Ròimh do pheantair air nach robh mòran eòlach, Pietro Fetti, Thathas ag ràdh gun do rinn Domenico preantas an toiseach fo Ludovico Cigoli, neo an sgoilear aige Andrea Comodi anns an Ròimh bho timcheall air 1604–1613. Bha e an uair sin ag obair ann am Mantua bho 1613 gu 1622, air a ghlòrachadh leis a' Chàrdinal, an dèidh sin Diùc Ferdinando I Gonzaga.
Anns an lùchairt Ducal, pheant e Miracle of the Loaves and Fishes. Dh’adhbhraich an t-sreath de riochdachaidhean de chosamhlachdan Tiomnadh Nuadh a rinn e airson stiùidio a neach-taic feart sònraichte a bha mòr-chòrdte., agus bhiodh e fhèin agus an stiùidio aige gu tric ag ath-aithris na sgrìobhaidhean aige.
Anns an Lùnastal no san t-Sultain 1622, Mar thoradh air a chòmhstri le cuid de na Mantuans ainmeil ghluais e gu Venice, a bha airson a’ chiad beagan dheicheadan den t-seachdamh linn deug air leantainn air adhart a’ toirt taic do stoidhlichean Mannerist (air a riochdachadh le Palma the Younger agus an fheadhainn a thàinig às deidh Tintoretto agus Veronese).
A-steach don mheasgachadh seo, anns na 1620an – 30s, trì “coigrich” Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality.
In Venice, where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalized painting style became more colorful.
A bharrachd air, he devoted attention to smaller cabinet pieces that adapt genre imaging to religious stories. His group of paintings entitled Parables, which represent New Testament scenes, are at the Dresden Gemäldegalerie. He influenced Leonaert Bramer.
His painting style appears to have been influenced by Rubens. He would likely have continued to find excellent patronage in Venice had he not died there in 1623 no 1624.
Jan Lys, eight years younger, ach a bha air tighinn gu Venice cha mhòr aig an aon àm, bhàsaich e ri linn a' phlàigh 1629 – 30.
Às dèidh sin, Bheireadh stoidhle Fetti buaidh air na Venetians Pietro della Vecchia agus Sebastiano Mazzone. B’ e Francesco Bernardi na sgoilearan aige ann am Mantua (am Bigolaro) agus Dionisio Guerri.
Thug e cuideachd stiùireadh dha phiuthar Lucrina ann am peantadh, agus tha a h-oibre air uairibh air an tabhairt dha.