Iris fìor 1947 Pinup Calendar Art
Iris fìor 1947 Pinup Calendar Art by American Painter Seòras Brown Peitidh IV (1894 – 1975); Dealbh Iris agus Neach-ealain Pinup bho na 1930an, 40s agus 50sg
This pinup girl illustration for the 1947 edition of True Magazine features a gorgeous golden haired blonde wearing a sheer tight fitting black negligee and white heel shoes; is laying on the floor with her back to the viewer; with her sexy long left leg fully stretched and her right leg that is folded is tucked under her left leg.
Her right hand is holding a white handset of a phone up to her right ear as her arm is bent toward her head as the line cord loops to the floor.
In her left hand she is holding a round mirror up to her face about 10 gu 12 inches away from her head, as we can see her face being reflected in the viewers direction; with her eyes gazing at the viewer with her beautiful smile; as four large strips of paper are floating about her top and bottom.
Since the background of the image was dirty and dull, I decided to replace it with a textured cloud based background of a tan color that complemented the pin-ups hair color.
Iris fìor 1947 Pinup Calendar Art is a retouched digital art old masters reproduction of a public domain image that is available for purchase online as an acrylic, canabhas, metal and wood lèileagan ealain.
Fiosrachadh gu h-ìosal a thàinig bho Wikipedia.org
Thàinig George Petty gu aire a ’phobaill an toiseach rè na bliadhnaichean àrd-sgoile aige, far an robh e na neach-ealain luchd-obrach airson pàipear-naidheachd na sgoile.
While going to high school George enrolled for night classes at the Chicago Academy of Fine Arts under the tutelage of Ruth VanSickle Ford.
Fhad ‘s a bha e aig an acadamaidh theagaisg Seòras a chùrsa dealbhaidh fhèin, a ’cur còig dolaran air gach clas; a bharrachd air a bhith ag obair ann am bùth dhealbhan athar far an do dh ’ionnsaich e an sgil a bhith a’ cleachdadh brus adhair.
Nas fhaide air adhart chaidh Seòras gu Paris agus rinn e sgrùdadh aig an Académie Julian còmhla ri Jean-Paul Laurens agus feadhainn eile gus 1916, nuair a thòisich an Cogadh Mòr, a dh ’adhbhraich an tosgaire Myron T.. Herrick, òrdachadh do na h-Ameireaganaich gu lèir Paris fhàgail agus tilleadh dha na Stàitean Aonaichte.
An dèidh tilleadh dha na Stàitean Aonaichte, Bha Seòras ag obair mar retoucher airbrush aig companaidh clò-bhualaidh ionadail ann an Chicago; an dèidh sin stèidhich e fhèin mar neach-ealain neo-cheangailte, a ’peantadh nigheanan mìosachain agus còmhdach irisean airson an Teaghlach; agus le 1926 bha e air a stiùidio fhèin fhosgladh.
Tha Seòras gu sònraichte ainmeil airson an t-sreath de dhealbhan peata de nigheanan a rinn e airson Foillseachaidhean Esquire, bho fhoghar na 1933 troimhe 1956.
Bhiodh Seòras gu tric a ’dèanamh dealbh de na caileagan prìne aige le casan caran fada, agus cinn gu math nas lugha na na modailean fhèin.
Nochd an obair aige gu sònraichte ann am Foillseachaidhean Esquire agus Fawcett – Fìor ris an canar cuideachd True, Iris an Duine; ach bha e cuideachd ann am mìosachain air am margaidheachd le Esquire, Fìor agus Companaidh Innealan Ridgid ann an North Ridgeville Ohio, a chaidh a stèidheachadh ann an 1923.