A Boyarina Beauty
A Boyarina Beauty by Russian Painter Konstantin Makovsky (1839 – 1915); a’ speisealachadh ann an dealbhan eachdraidheil Ruiseanach a’ sealltainn sealladh air leth freagarrach de bheatha na Ruis sna linntean a dh’ fhalbh.
This exquisite portrait of a beautiful young Boyarina, shows a young girl from a noble Russian family dressed in the attire that a young lady would have worn in the19th century.
The young lady is wearing a large gold kokoshnik on her head and a venchik over her hair, with a matching rope choker around her neck that has a gold Christian Cross hanging from its end.
Resting on her shoulders is thick red woolen shoulder plate withe floral embroidery, which itself rest on an indoor white-yellow heavy woolen coat with colorful floral designs.
Beneath her coat is a heavy floor length red dress that has three gold buttons on the front; and on both of her wrist she has very large and wide cuff like decorated silver bracelets.
The young lady is seated on a wooden bench, by a wooden table that is situated by a window that she is looking out of; as she has moved the curtain covering it to the side with her right hand which she has her elbow placed.
On the table is a flower pot with a growing green plant, a decorative wooden box and a piece of decorative cloth and jewelry that is leaning over the table.
On the decorative bench she is seated on is a class vase that has four types of flowers composed of violet flowers, blue flowers, green flowers and yellow flowers.
Behind and above her is a decorative wooden panel ledge that has a small burning candle on it that is in front of what appears to be some sort of metal frame; while in front of her is a spinning wheel that she was using to spin yarn.
A Boyarina Beauty is a remastered digital art old masters reproduction of a public domain image that is available as a canvas print online.
Fiosrachadh gu h-ìosal a thàinig bho Wikipedia.org
Bha Konstantin Makovsky na pheantair Ruiseanach buadhach, ceangailte ris an “Peredvizhniki (Luchd-cuairteachaidh)”. Mòran de na dealbhan eachdraidheil aige, leithid Fo 'n Chrùn (1889) ris an canar cuideachd The Russian Bride's Attire and Before the Wedding, sheall e sealladh air leth freagarrach de bheatha na Ruis anns na linntean roimhe. Tha e gu tric air a mheas mar riochdaire ealain acadaimigeach.
Konstantin Makovsky rugadh ann am Moscow. Bha athair na neach-ealain Ruiseanach agus na pheantair neo-dhreuchdail, Yegor Ivanovich Makovsky saor an asgaidh. Bha a mhàthair na sgrìobhadair, agus bha i an dòchas gun leanadh a mac aon latha na ceuman. Chaidh a bhràithrean as òige Vladimir agus Nikolay agus a phiuthar Alexandra air adhart gu bhith nan peantairean cuideachd.
Ann an 1851 Chaidh Makovsky a-steach do Sgoil Peantadh Moscow, Deilbheadh agus Ailtireachd far an robh e na phrìomh oileanach, faighinn gu furasta na duaisean uile a tha rim faighinn. B 'e na tidsearan aige Karl Bryullov agus Vasily Tropinin. Faodar claonadh Makovsky a thaobh Romanticism agus buaidhean sgeadachaidh a mhìneachadh le buaidh Bryullov.
Ged a b’ e ealain an dìoghras aige, bheachdaich e cuideachd air na bha a mhàthair ag iarraidh air a dhèanamh. Dh’fhalbh e a choimhead airson sgrìobhadairean air am b’ urrainn dha iomradh a thoirt, agus chaidh e an toiseach do'n Fhraing. Roimhe, bha e riamh na leannan ceòl clasaigeach, agus dh'èisd e ri mòran phìosan. Bu tric a mhiannaich e am port atharrachadh, no stoidhle cuid dhiubh airson an dèanamh nas tlachdmhoire. Nas fhaide air adhart na bheatha thàinig e gu buil.
Ann an 1858 Chaidh Makovsky a-steach don Acadamaidh Ealain Ìmpireil ann an St Petersburg. Bho 1860 ghabh e pàirt ann an taisbeanaidhean an Acadamaidh le dealbhan mar Curing of the Blind (1860) agus Agents of the False Dmitry mharbhadh mac Boris Godunov (1862). Ann an 1863 Chùm Makovsky agus trì-deug oileanach eile gearan an-aghaidh suidheachadh an Acadamaidh de chuspairean bho mhiotas-eòlas Lochlannach anns a’ cho-fharpais airson Bonn Òr Mòr an Acadaimigeach; dh'fhàg iad uile an acadamaidh gun dioplòma foirmeil.
Thàinig Makovsky gu bhith na bhall de cho-chomann (arail) de luchd-ealain air an stiùireadh le Ivan Kramskoi, mar as trice a’ dèanamh dhealbhan Wanderers air beatha làitheil (Bantraich 1865, Neach-reic an sgadain 1867, etc.). Bho 1870 bha e na bhall stèidheachaidh den Chomann airson Taisbeanaidhean Ealain Siubhail agus lean e air ag obair air dealbhan co-cheangailte ri beatha làitheil. Thaisbean e an obair aige aig gach cuid taisbeanaidhean Academia agus Taisbeanaidhean Ealain Siubhail nan Wanderers.
Thàinig atharrachadh mòr air an stoidhle aige às deidh dha siubhal dhan Èiphit agus Serbia ann am meadhan nan 1870n. Dh'atharraich na h-ùidhean aige bho dhuilgheadasan sòisealta agus saidhgeòlas gu duilgheadasan ealain dathan agus cumadh.
Anns na 1880n thàinig e gu bhith na ùghdar fasanta air dealbhan agus dealbhan eachdraidheil. Aig Fèill na Cruinne de 1889 ann am Paris fhuair e am Bonn Òr Mòr airson na dealbhan aige Death of Ivan the Terrible, Breith Paris, agus Demon, agus Tamara. Bha e air aon den luchd-ealain Ruiseanach as luachmhoire agus le tuarastal àrd aig an àm. Bha mòran de luchd-breithneachaidh deamocratach ga mheas mar ath-dhìolaidh de na Wanderers’ ideals, cinneasachadh (mar Henryk Siemiradzki) obraichean iongantach ach eu-domhainn, agus cuid eile ga fhaicinn mar ro-ruithear air Impressionism na Ruis.
Chaidh Makovsky a mharbhadh ann an 1915 nuair a bhuail tram dealain ann an St Petersburg an carbad aige le each.