A View of the Forum
A View of the Forum by Italian Painter Antonio Joli (1700 – 1777); known for his vedute and capricci scene paintings.
This is a view of the Forum with the Campo Vaccino, the Church of Santa Francesca Romana and the Colosseum, that also includes many people throughout the ancient ruins complex that are speaking with each other, discussing the architecture.
In the scene we can also see two carriages that are transporting nobility, as well as a horse and cart with the driver drinking water from the fountain along with three other horses.
There are also herders with their cows and sheep relaxing within the compound where the tallest ruins are situated.
Domeinu publikoko irudi baten erreprodukzioa da mihise inprimatu sarean.
Beheko informazioatik eratorria da Wikipedia.org
Antonio Modenan jaio zen, Italia martxoan 13, 1700 eta Rafaello Rinaldiren aprendiz izan zen lehen aldiz Il Menia izenez ezagutzen zena, eta baita Galli da Bibbienaren estudioan lan egitea ere; mendeetako italiar eszena artistaren familia bat izan zena 1625 – 1787.
Modena eta Perugian eszenografiako margolari gisa hasi zuen bere ibilbidea, eta urtekin 32 Veneziara joan zen eta bertan eszena-margolari gisa lan egin zuen San Giovanni Grisostomo Antzokian eta Grimani familiaren Antzokian..
In 1742 he traveled to Dresden, Germany and then to London, England where he remained from 1744 to 1748, then to Madrid, Spain from 1750 – 1754.
Londresen bizi eta lanean ari zela John James Heidegger konde suitzarraren Richmond jauregia apaindu zuen (1666 – 1749), ondoren, Errege Antzokiko zuzendaria (West End antzokia Westminster hiriko Haymarket-en kokatua, Londres).
When he was in Madrid he was also employed as a scene painter for the royal court; as well as for the smaller opera house ar the palace of Aranjuez. He also created large-sized paintings of the Esquadra del Tajo, the fleet of royal barges and other vessels on the river Tajo at Aranjuez.
In 1754 Antonio Veneziara itzuli zen, Italian eta Accademia di Belle Arti di Veneziako kide sortzaileetako bat bihurtu zen (Veneziako Arte Ederren Akademia); zazpi urte geroago Napoliko Borboiko gortera joan zen bizitzera, bertan egongo zen apirilean hil arte 29, 1777.